
Mona (Golshifteh Farahani), 26, an immigrant from North Africa, runs her in-laws' mini market in Chicago. She's married to Mourad, a man who can't stand up to his authoritarian mother. Mona is harassed by her mother-in-law because after five years of marriage, she hasn't been able to get pregnant, something that's considered a shame and a taboo in her culture. Marilyn (Sienna Miller), 29, is a receptionist at a computer repair company. Her marriage with Harvey is on the ropes... (Full plot summary below)
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Mona (Golshifteh Farahani), 26, an immigrant from North Africa, runs her in-laws' mini market in Chicago. She's married to Mourad, a man who can't stand up to his authoritarian mother. Mona is harassed by her mother-in-law because after five years of marriage, she hasn't been able to get pregnant, something that's considered a shame and a taboo in her culture. Marilyn (Sienna Miller), 29, is a receptionist at a computer repair company. Her marriage with Harvey is on the ropes. The only thing in her life that makes her happy is her belly dance class, a passion shared by Mona. Dancing at family gatherings lifts her spirits up and makes her forget the misery of her daily life. Marilyn shops at Mona's mini-market. They've become friends. One morning, Mona's mother-in-law is found dead in her bed. Mona realizes that she mixed the wrong dose while preparing her medicine. Realizing that she might be accused of murder, Mona runs away and flees Chicago by bus. Marilyn loses her job because of the recession. When she gets home, she finds out that her husband is cheating on her. With nothing left to lose, Mona decides to go to Santa Fe to enter a contest hoping to join a famous belly dance company. Mona and Marilyn run into each other on a rest area on the side of a highway. They decide to continue the trip together. They cross the USA, pitching their tent in trailer parks and in the middle of the desert. They earn some cash belly-dancing together in restaurants and bars. Back in Chicago, Mona is considered a fugitive; she's wanted for the murder of her mother-in-law. Harvey asks the police to look for Marilyn who disappeared without leaving a trace. Will Marilyn succeed in joining the belly dance company? How long will Mona be able to keep her secret from Marilyn? And how long will she be able to escape the law?
Leave your thoughts about Just Like a Woman.
| CinemalogueTodd Jorgenson... completely falls apart amid a collection of heavy-handed cliches. |
| New York PostFarran Smith NehmeIt’s a wispy movie that does not end so much as peter out, and it could have benefited from a little more humor and a little less heinous male behavior. Miller and Farahani, though — both sometimes used previously as decoration — give strong performances as women bonding over their delight in both movement and their own beauty. |
| One Guy's OpinionFrank SwietekWhile one can sympathize with the subjects Bouchareb is exploring here, his picture strives for a great deal more than it actually delivers. |
| Boston GlobePeter KeoughWhat might have proven an illuminating perspective on familiar issues disappoints as Bouchareb fails to turn his outsider’s point of view into new insights, and instead takes the easy route, falling back on familiar stereotypes in his tour of US misogyny and xenophobia. |
| Film Journal InternationalDavid NohAlthough branded throughout by a heavily mournful identification with these terribly wronged women's plights, the film is nevertheless silly in the extreme. |
| Portland OregonianMarc MohanMiller, who's still trying to find her way as an actress, isn't bad, and the Iranian-born Farahani is convincing, but their characters are blandly angelic, in stark contrast to the vast majority of men they encounter. |
| VarietyJustin ChangAlthough fronted by solid performances from Sienna Miller and Iranian actress Golshifteh Farahani as two desperate souls who bond over their shared love of belly dancing, this tale of friendship and rebellion on the open road reps a thin, obvious reworking of a well-worn template. |
| Arizona RepublicKerry LengelThis well-intentioned buddy-road-trip flick lacks the danger, the drama and the sex appeal that most moviegoers will be looking for. |
| Time OutDavid FearBouchareb gives his actors room to roam, but you still get only skin-deep sketches instead of flesh-and-blood women. |
| The Hollywood ReporterJohn DeForeObvious parallels to "Thelma & Louise" do little to raise the dramatic stakes here. |