
Photographer Stephen Wilkes creates an intimate portrait of his mentor, Jay Maisel, as he leaves the 30,000 square foot building in the Bowery that he's inhabited and filled with his eccentric collection of beautiful random objects for the last 40 years - known as 'The Bank.... (Full plot summary below)
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Photographer Stephen Wilkes creates an intimate portrait of his mentor, Jay Maisel, as he leaves the 30,000 square foot building in the Bowery that he's inhabited and filled with his eccentric collection of beautiful random objects for the last 40 years - known as 'The Bank.
Leave your thoughts about Jay Myself.
| VarietyOwen GleibermanAfter watching Jay Myself, you yourself may begin to see the world in a whole new way, as if you’d woken up to all the images that might have been invisible before, but only because you passed them by. |
| Movie NationRoger MooreJay Myself paints an affectionate, curmudgeonly documentary portrait of one of New York’s greatest photographers. Jay Maisel was a star of ad photography during the “Mad Men” era, an art photographer of great renown after that and a portrait photographer whose work graced profiles and album covers, such as Miles Davis’s “Kind of Blue.” |
| Los Angeles TimesKatie WalshIn Wilkes’ heartfelt thank you note of a film, time, art and space collide, though in the end, all things must pass. |
| Slant MagazineDerek SmithJay Maisel’s former home suggests a bastion of creativity in a neighborhood whose rough edges have been completely sanded down. |
| Film ThreatAlex SavelievAn ode to the artist and his city, Jay Myself may just make you stop and recognize beauty in a random light pattern, or in the way dust blankets an old photo. |
| RogerEbert.comNick AllenThe film has a grounded, jovial quality especially whenever we see images of Wilkes and Maisel from previous years; it's sometimes like a low-key comedy about one man's quirky mentor and buddy. |