Irene in Time
Irene in Time

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- 45/100 based on 240 votes

A film about the complex relationships between fathers and daughters, and the potential lifelong consequences of those relationships.... (Full plot summary below)

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Full Plot Details

A film about the complex relationships between fathers and daughters, and the potential lifelong consequences of those relationships.

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Movie Reviews

Internet Reviews - 8/10 by Steve RhodesSomehow, for all of her flaws, Irene slowly and surprisingly worked her way into my heart. Because of this, I found the film's ending particularly effective and poignant.
ColeSmithey.com - 8/10 by Cole SmitheyFurther evidence that Henry Jaglom's filmmaking career is on its last gasp, "Irene In Time" is an all too prosaic story...
L.A. Weekly - 7/10 by Scott FoundasMoments of genuine insight alternate freely with those of banal psychologizing, but even then there can be no denying that the filmmaker has an ear for a certain brand of self-absorbed discourse often overheard in restaurants and bars in the shadow of the Hollywood sign. And given the choice, I’ll take Henry’s home movies over Jonathan Demme’s any day of the week.
New York Times - 6/10 by Jeannette CatsoulisSmothering insightful moments in verbal and musical treacle (courtesy of Harriet Schock’s sticky songs), Mr. Jaglom displays an endearing lack of cynicism but an equal lack of discipline.
NYC Movie Guru - 6/10 by Avi OfferToo contrived, sophomoric and unmoving, despite a lively soundtrack and a radiant performance by the genuinely beautiful Tanna Frederick.
Variety - 5/10 by Andrew BarkerBreezy and indulgent, his is a style that lives or dies on the appeal of his characters and performers, and this time he is mostly let down by both.
New York Post - 5/10 by V.A. MusettoHas some witty dialogue and sprightly performances by Karen Black, Andrea Marcovicci, Victoria Tennant and others.
Chicago Tribune - 5/10 by Sheri LindenLike its central character, Henry Jaglom's 16th feature is gangly and graceful, awkward and tender, a jumble of astute observation and clunkily heightened reality.
Chicago Sun-Times - 4/10 by Roger EbertIt offers certain pleasures, but suffers from an inability to structure events or know when to end a shot. And it has an ending that is simply, perhaps ridiculously, incomprehensible.
Chicago Reader - 4/10 by J.R. JonesWith its sappy musical vignettes and encounter-session dialogue, the movie consistently overplays its insights, though all three leads contribute thoughtful and genuine performances.

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Irene in Time