In the Cut
In the Cut

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- 54/100 based on 25,630 votes

Frankie Avery is a NYC teacher who embarks on a relationship with NYPD Detective Malloy, who, along with his partner, is investigating the murder of a young woman, part of whose body was found in the garden outside of Frannie's apartment. Malloy believes this murder is the work of a serial killer. Beyond the murder investigation, she continues her association with Malloy despite her catching him in a lie which may have dangerous implications. As the relationship contributes, ... (Full plot summary below)

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Full Plot Details

Frankie Avery is a NYC teacher who embarks on a relationship with NYPD Detective Malloy, who, along with his partner, is investigating the murder of a young woman, part of whose body was found in the garden outside of Frannie's apartment. Malloy believes this murder is the work of a serial killer. Beyond the murder investigation, she continues her association with Malloy despite her catching him in a lie which may have dangerous implications. As the relationship contributes, she discovers more evidence pointing to him being the serial killer.

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Movie Reviews

San Diego Metropolitan - 10/10 by Jean LowerisonMeg Ryan, Mark Ruffalo, Kevin Bacon and Jennifer Jason Leigh get lost in the morass of a muddy, bloody screenplay that makes little sense and leaves the viewer feeling in need of a shower, not to mention a strong drink.
San Francisco Chronicle - 10/10 by Mick LaSalleIf In the Cut falls short of the masterpiece Campion intended, it's unquestionably the most ambitious and important film to come along in months.
Daily Mail (UK) - 10/10 by Christopher TookeyThe overall effect is of a particularly sordid episode of Sex AndThe City, made by the confused offspring of Andrea Dworkin and the Marquis de Sade.
Film Threat - 9/10 by Rick KisonakCampion and company may like to think they've made something provocative, moody and new but it's really just Looking For Mr. Goodbar with extra nuts.
Worcester Telegram & Gazette - 9/10 by Daniel M. KimmelJane Campion, best known for the ugly and overrated The Piano, has tried her hand at a mainstream film.
Combustible Celluloid - 9/10 by Jeffrey M. AndersonCampion hits the same thematic ground with the same passionate release as she did in The Piano (1993) and the underrated Holy Smoke (1999).
Milwaukee Journal Sentinel - 9/10 by Duane DudekLife'll kill ya, lamented the late Warren Zevon. Love'll kill ya, amends Campion in a film which shows that what long has been good for the goose can cut both ways.
Planet Sick-Boy - 8/10 by Jon PopickShot (and edited) rather stylishly, but it seems like such a waste when the film's story is, aside from being quite dark, so run-of-the-mill.
Dallas Observer - 8/10 by Gregory WeinkaufRyan's performance burns with a rare and passionate veracity. The other half of the delight comes from director Jane Campion, whose sensualist eye and scabrous heart infuse In the Cut with guts and glory.
Christian Science Monitor - 8/10 by David SterrittGrim and sordid though it often is, the film has a steady flow of visually absorbing images. It's an art movie for the masses.

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In the Cut