
Set in Singapore, Ilo Ilo chronicles the relationship between the Lim family and their newly arrived maid, Teresa. Like many other Filipino women, she has come to this city in search of a better life. Her presence in the family worsens their already strained relationship. Jiale, the young and troublesome son, starts to form a unique bond with Teresa, who soon becomes an unspoken part of the family. This is 1997 and the Asian Financial Crisis is beginning to be felt in the reg... (Full plot summary below)
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Set in Singapore, Ilo Ilo chronicles the relationship between the Lim family and their newly arrived maid, Teresa. Like many other Filipino women, she has come to this city in search of a better life. Her presence in the family worsens their already strained relationship. Jiale, the young and troublesome son, starts to form a unique bond with Teresa, who soon becomes an unspoken part of the family. This is 1997 and the Asian Financial Crisis is beginning to be felt in the region...
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| Honolulu Star-AdvertiserBurl BurlingameThis quiet little domestic drama from Singapore reminds us films can achieve near-impossible heights and depths of intimacy and empathy. |
| San Francisco ChronicleG. Allen JohnsonChen builds his case not with sentimentality and obvious plot points, but through everyday life -- showering, doing laundry, dropping the boy off at school, phone calls. |
| Cinema ScopeRobert KoehlerThe dynamics are just about perfect, and calibrated for a long chain of terrific scenes... |
| Seattle TimesJohn HartlCharacters who may seem hopeless begin to suggest a vulnerable side, and none truly deserve the situations that afflict them. |
| Minneapolis Star TribuneTim CampbellYoung actor Koh Jia Ler's brave performance recalls "The 400 Blows," he's that great. |
| Observer (UK)Mark KermodeThis sympathetic and engaging drama is deceptively gentle in its insight - compassionate yet unsentimental. |
| Irish TimesTara BradySuccinct, handheld camerawork and deft performances amplify the drama's emotional clout. |
| Times (UK)Kate MuirIlo Ilo deals with that perennial dilemma of the middle-class working parent: how to deal with the live-in nanny who begins to usurp your role. |
| Antagony & EcstasyTim BraytonPerceptive and tightly built and anchored by such fully human characters. |
| OregonianMarc MohanWith evocative performances, especially from the two women, and a nicely modulated sense of nostalgia, Ilo Ilo marks the emergence of a promising new cinematic voice. |