How to Draw a Bunny
How to Draw a Bunny

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The story of the life of artist Ray Johnson is cloaked in mystery not only at the moment of his death, but also throughout a career that was difficult to know and to understand. As one of the seminal figures in the Pop Art era, Johnson is known as the founding father of mail art and as a collagist extraordinaire. But, overshadowed by those like Warhol who manipulated that world in a very dissimilar manner, he was also a reclusive and sometimes enigmatic figure who has been ca... (Full plot summary below)

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Actors in How to Draw a Bunny:

Norman Solomon

Full Plot Details

The story of the life of artist Ray Johnson is cloaked in mystery not only at the moment of his death, but also throughout a career that was difficult to know and to understand. As one of the seminal figures in the Pop Art era, Johnson is known as the founding father of mail art and as a collagist extraordinaire. But, overshadowed by those like Warhol who manipulated that world in a very dissimilar manner, he was also a reclusive and sometimes enigmatic figure who has been called New York's most famous unknown artist, but who challenged the commercial and critical establishment.

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Movie Reviews

Los Angeles Times - 9/10 by Manohla DargisA seamless model of form and content. (My only quibble is the poor quality of the digital video, which doesn't do justice to Johnson's work.)
Film Threat - 9/10 by Tim MerrillMaybe How to Draw a Bunny itself is really Ray Johnson's final testament, created with a mischievous wink from beyond the grave. After watching this extraordinary documentary, one has no doubt that such an act is well within Johnson's creative powers.
San Francisco Chronicle - 8/10 by Kenneth BakerHow to Draw Bunny won the Special Jury Prize at the 2002 Sundance Film Festival, which must go to show how scarce noteworthy documentaries are.
New York Post - 8/10 by V.A. MusettoProbably the most definitive portrait of Johnson that we are likely to get.
New York Daily News - 8/10 by Elizabeth WeitzmanA fascinating exploration of the mysteries of the artist's life.
L.A. Weekly - 8/10 by Ella TaylorUnlike most documentaries about arty types, John Walter's wonderfully capricious, wittily edited film about Johnson seeks to make precise all the different ways in which the artist managed to remain opaque.
The A.V. Club - 8/10 by Noel MurrayThe opportunity to dig into the trove of Johnson's art is an ultimate reward beyond all offbeat attempts to understand the artist himself. At its best, How To Draw A Bunny amounts to a shadow history of the American avant-garde.
The New York Times - 8/10 by Lawrence Van GelderAn intriguing and entertaining introduction to Johnson through his varied art; the mystery surrounding his death, which may have been his final performance piece, and the reminiscences of contemporaries.
Variety - 8/10 by Dennis HarveyDebuting helmer Walter assembles an aptly colorful package, with stylistic integration of elements from Johnson's delightful visual art. A major plus is the skittering percussion score by bebop jazz great Max Roach.
TV Guide Magazine - 7/10 by Maitland McDonaghJohn Walter's documentary suggests that Johnson, who made no distinction between his life and his art, designed every detail of his own mysterious 1995 suicide with the same whimsical care that went into his painstakingly assembled pieces, and provides an engaging overview of Johnson's eccentric career in the process.

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