House at the End of the Street
House at the End of the Street

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- 55/100 based on 79,479 votes

Newly divorced Sarah and her daughter Elissa find the house of their dreams in a small, upscale, rural town. But when startling and unexplainable events begin to happen, Sarah and Elissa learn the town is in the shadows of a chilling secret.... (Full plot summary below)

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Full Plot Details

Newly divorced Sarah and her daughter Elissa find the house of their dreams in a small, upscale, rural town. But when startling and unexplainable events begin to happen, Sarah and Elissa learn the town is in the shadows of a chilling secret.

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Movie Reviews

Mania.com - 9/10 by Rob VauxIt's too soapy and problematic to really work, but I guarantee you've seen worse this year.
Blu-ray.com - 9/10 by Brian OrndorfI hope Lawrence takes some time today to hug her Catching Fire producers for her good fortune.
Entertainment Weekly - 9/10 by Owen GleibermanThis is the rare horror film so bad that you almost wish it had turned into a good old connect-the-gory-dots slasher movie. The only mystery at work is how Lawrence's agent ever let her sign on to this.
Star-Democrat (Easton, MD) - 8/10 by Greg Maki... Typical of modern horror movies, jump-scares (which are startling, not scary--there is a difference) sprinkled throughout deflate the suspense before it builds much.
Spectrum (St. George, Utah) - 8/10 by Bruce BennettFormulaic, unoriginal suspense thriller aided by a plot twist and good leads, that might delight the less-gore-is-more teenage audience.
AV Club - 8/10 by Scott TobiasWorking from a solid template is only half the battle; the other half is filling in the details, and it's here that The House At The End Of The Street goes flat and generic, substituting jump-scares and visual twitchiness for the psychological complexity that might have sold the horror.
Village Voice - 7/10 by Nick PinkertonWorking from a story by all-around genre specialist Jonathan Mostow, director Mark Tonderai steers the story cleanly around its queasy hairpin turns, perversely toying with one of pop cinema's most cherished clichés: the audience's inculcated desire to side with the underdog.
One Guy's Opinion - 7/10 by Frank SwietekUltimately it's just an old-fashioned shocker--'Psycho' crossed with 'Jane Eyre,' and reworked for the teeny-bopper crowd. But it lives up to neither of its exalted models.
Tribune News Service - 6/10 by Roger MooreBy the third act, you or someone sitting near you will be whispering, muttering or just plain shouting at the screen.
Commercial Appeal (Memphis, TN) - 6/10 by John BeifussThe screenplay has a nice twist that could have supported a stylish giallo-style thriller; unfortunately, director Mark Tonderai delivers a mess -- an almost random tangle of choppy edits, handheld camera, 'shock' sound effects and other horror cliches.

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House at the End of the Street