#HORROR is a film about the lives of six young girls, Sam, Georgie, Sofia, Francesca, Cat and Eva played by our ensemble of emerging actresses. Their world is one of money, success, leisure and decadence. This is a film about the HORROR of cyberbullying. This film is an integral insight on the pressure that girls take on as they grow in a world that is increasingly dependent on the promotion and attention that social media platforms provide yet prevent bullying. as well as th... (Full plot summary below)
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| Movie Source | Available | Offers | Added | Views | Quality | Format | Rating | Link | Share |
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#HORROR is a film about the lives of six young girls, Sam, Georgie, Sofia, Francesca, Cat and Eva played by our ensemble of emerging actresses. Their world is one of money, success, leisure and decadence. This is a film about the HORROR of cyberbullying. This film is an integral insight on the pressure that girls take on as they grow in a world that is increasingly dependent on the promotion and attention that social media platforms provide yet prevent bullying. as well as the roles that parents must play regarding controlling their child's use of the internet and bullying plays such a terrifying role in society. These young girls are telling this story inside a glass mansion, filled with millions of dollars of artwork, as if they were living in a contemporary art museum.
Leave your thoughts about #Horror.
| Assignment XAbbie Bernstein#Horror looks amazing and it has some acute observations. It just seems to have more thematic and narrative ambition than it does coherence and running time. |
| The Film StageMichael Snydel#Horror fails to even work as an cult oddity. |
| Village VoiceRob StaegerNot every gamble works: The girls' intrusive Bejeweled-like social-media game annoys at every turn, and the plot itself is murky. But #Horror mesmerizes nonetheless, filled with tension, cruelty, and can't-look-away style. |
| TheWrapInkoo Kang#Horror” is fueled by the despairing fear and misanthropy you can only get from reading needlessly malicious Internet comments. But it’s also made with verve, style, and sparing gore by writer-director (and fashion designer) Tara Subkoff. |
| Philadelphia InquirerTirdad DerakhshaniDespite its many drawbacks, Subkoff's film deserves to be seen, if only for its wildly imaginative use of the medium and for the urgency of its message, which is dire, bleak - and unforgettable. |
| Los Angeles TimesMark OlsenThe film works better as social satire than straight horror, as the murder plot that drives it along always feels unconvincing. |
| TheFrightFile.comDustin PutmanThere is a method to Tara Subkoff's directorial madness, and what she has put to film is nothing if not bizarrely, indelibly auspicious. |
| We Got This CoveredMatt Donato#Horror has plenty to say about cyberbullying, but it gets lost in frantic editing and bitchy stereotypes along the way. |
| MovieFreak.comSara Michelle Fetters#Horror isn't a fun watch, and what it says is hardly profound. |
| Slant MagazineChuck BowenA blunt satire of the dehumanization inherent in social media that also gets off on said detachment. |
