
In 1890 Wyoming, James Averill is the Sherriff of Johnson County, which is largely inhabited by foreign immigrants. The wealthy cattle owners view the immigrant farmers as a nuisance and hindrance to them enlarging their own land. The cattlemen's association, the Wyoming Stock Growers Association, effectively declares war on the immigrant farmers and gets the state government's blessing. They assemble an army of guns-for-hire and, backed by the U.S. Cavalry, set out to rid th... (Full plot summary below)
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In 1890 Wyoming, James Averill is the Sherriff of Johnson County, which is largely inhabited by foreign immigrants. The wealthy cattle owners view the immigrant farmers as a nuisance and hindrance to them enlarging their own land. The cattlemen's association, the Wyoming Stock Growers Association, effectively declares war on the immigrant farmers and gets the state government's blessing. They assemble an army of guns-for-hire and, backed by the U.S. Cavalry, set out to rid the state of the immigrants. James Averill's heart is with the immigrants, but he doesn't think they have a chance of winning the inevitable war.
Leave your thoughts about Heaven's Gate.
| Daily Telegraph (UK)Robbie CollinIts status as a true wonder-work of American cinema is now surely beyond doubt. |
| EmpireIan FreerIn depicting the Johnson County War of 1892 (immigrants versus cattle barons), Michael Cimino delivers soaring ambition and scale, but always syringed with a deep sense of regret. |
| The GuardianPeter BradshawIt is a demanding film, without a doubt – but a passionate one. |
| The Ooh TrayEd WhitfieldThe first critics to lay eyes on it mistook the emphasis on the personal and painterly for self-indulgence - static naval gazing. This confuses incident with the incidental. |
| Financial TimesNigel AndrewsCimino endows the visuals with a Zola-esque texture and realism. But the characterisation and dramatic reach go beyond even that. |
| The A.V. ClubNathan RabinIt's a film of rare beauty and scope, a feast for the eyes and a harrowing, unflinching meditation on the cruelty of capitalism. It rivals William Friedkin's Sorceror in its bone-deep cynicism and eviscerating take on the free market's coal-black heart of darkness. |
| Total FilmPhilip KempA grandiose Western based on the Johnson County War of 1892, when cattle barons brought in mercenaries to massacre immigrant settlers, it suffers badly from narrative incoherence. But there’s a grand romantic sweep to the action (enacted by a solid cast including Kris Kristofferson, Christopher Walken and Isabelle Huppert), the set-pieces are majestic and its disenchanted view of the American frontier myth still rings ominously true. |
| New TimesLuke Y. ThompsonToo long and pretentious to properly work -- shave off a good half-hour and you might have something. |
| Time OutTom HuddlestonA grippingly violent parable, a touching, tragic romance and – thanks to legendary cinematographer Vilmos Zsigmond and an unprecedented attention to historical detail – quite simply one of the most beautiful, immersive films ever made. |
| Little White LiesGlenn Heath Jr.Emotionally stings like few other westerns. |