Haunts of the Very Rich
Haunts of the Very Rich

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- 64/100 based on 452 votes

A group of people, all of whom, we can only assume, are very rich, are on a plane flying to an island resort. When they land, they are greeted by a mysterious black man (Seacrist), and the plot thickens. Ellen Blunt gets a makeover from a mysterious black woman (all the mysterious characters in this film are either black or "native") in a scene laden with homo-erotic undertones, and Dave Woodrough falls in love with her. We come to find out that John Fellows is a minister tor... (Full plot summary below)

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Full Plot Details

A group of people, all of whom, we can only assume, are very rich, are on a plane flying to an island resort. When they land, they are greeted by a mysterious black man (Seacrist), and the plot thickens. Ellen Blunt gets a makeover from a mysterious black woman (all the mysterious characters in this film are either black or "native") in a scene laden with homo-erotic undertones, and Dave Woodrough falls in love with her. We come to find out that John Fellows is a minister tormented by his own conflicted spirituality; Annette Larrier is an unhappy housewife strung out on prescription uppers and downers; and Al Hunsicker has a very, very hairy back. We also come to find out that just before setting off on their journey, each of the "guests" had narrowly escaped death -- or had they?

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User Review - 6/10 by Carrie AI remember seeing this ABC Movie of the Week when I was 14, and it seriously creeped me out. Initially it gave me nightmares, and it left its mark on me for the next three decades. The concept of "hope given, then taken away" haunted me mercilessly as I experienced the realities of adult life. However, upon seeing the film again recently, with many more years of life experience behind me, it struck me as obvious and disappointing. This made-for-TV cheesefest still has merit in some of the twists and turns of the plot, and several of the actors turn in creditable performances. Cloris Leachman and Lloyd Bridges stand out as the doomed couple who have finally found true love, and Ed Asner is believably prickly as the disgruntled, avaricious businessman. However, Moses Gunn's labored, deadpan delivery begins to grate after a while. Anne Francis, clad in a bland shift dress that literally makes her blend in with the wallpaper (kudos to the costume designer for this one), plays a whiny, drug-addled housewife who should elicit sympathy but comes across as simply annoying. The supposedly deep revelations perceived by Robert Reed's disillusioned priest ring shallow and lacking in substance. I enjoyed seeing it again and reflecting on the differences between my perceptions as a teenager and as an adult, but the movie as a whole mirrors its resort setting: Elegant on on the exterior, but sadly lacking once you check in.

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Haunts of the Very Rich