Guillermo del Toro's Pinocchio
Guillermo del Toro's Pinocchio

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- 76/100 based on 103,053 votes

A dark, twisted retelling of the famous Carlo Collodi fairy tale about the wooden puppet who dreams of becoming a real boy. When Pinocchio comes to life, he turns out not to be that nice of a boy, creating mischief and playing mean tricks. He eventually learns a few lessons.... (Full plot summary below)

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Full Plot Details

A dark, twisted retelling of the famous Carlo Collodi fairy tale about the wooden puppet who dreams of becoming a real boy. When Pinocchio comes to life, he turns out not to be that nice of a boy, creating mischief and playing mean tricks. He eventually learns a few lessons.

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Movie Reviews

San Francisco Chronicle - 10/10 by Bob StraussIt’s a remarkably life-affirming message coming from a mess of animated puppets and a monster-loving filmmaker.
The Observer (UK) - 10/10 by Mark KermodeUltimately, it’s the film’s sheer strangeness – that peculiarly magical, lapsed-Catholic sensibility that runs throughout all of Del Toro’s most personal works – that makes this sing and fly.
New York Post - 10/10 by Johnny OleksinskiAs he did so ingeniously with “Pan’s Labyrinth” and the Spanish Civil War, del Toro explores fantasy, myth and childhood in a time of oppressive fascism; the specks of light that escape the darkness.
NME - 10/10 by Paul BradshawLooking and feeling every inch like a film made without compromise, Pinocchio was worth the wait. Del Toro has been talking about making the film for most of his career now, and the pay-off shows in every brushstroke and thumbprint.
Film Threat - 10/10 by Josiah TealThough it may not be as iconic as the 1940s version, Guillermo del Toro’s Pinocchio is still astounding. Every character is fleshed out and filled with eccentricities lacking in prior versions. Themes of empathy, fascism, dealing with death, and learning to live again run deep within this masterpiece. And for all the complexities, the film is just plain enjoyable.
RogerEbert.com - 10/10 by Carlos AguilarIt may go against its ethos to deem del Toro's Pinocchio an impeccable masterpiece, even if that's an adequate description, but know that if the art of making movies resembles magic, this is one of its greatest incantations.
Little White Lies - 10/10 by Kambole CampbellBy changing the cautionary tale to be against assimilation and categorisation, plus its invigorating update of traditional technique, the film carves out a space not just as the best Pinocchio film of this year, but among the finest films the director has made.
The Playlist - 10/10 by Rafaela Sales RossThrough the eyes of the Mexican filmmaker, the familiar fable is made anew, carefully carved by the hands of an artist eternally enamored with his craft. This loving relationship between creator and creation imbues the film with the type of contagious excitement that brings one back to the joy of the early days of cinemagoing, a thrilling jolt of nostalgia that only emphasizes the miraculous nature of this fresh recreation.
Screen Daily - 10/10 by Wendy IdeA film which doesn’t sugar-coat the ache of bereavement, the futility of war or the manifold failures of mankind, but which manages to balance the darkness with sparks of hope, humour and humanity.
IndieWire - 10/10 by Rafael MotamayorPinocchio feels like the best mix of classic del Toro and new del Toro, with the wisdom and melancholy that comes with age and experience, yet his bright-eyed love of fairy tales from his Spanish-language films. Perhaps more impressive is how Pinocchio pushes the oldest form of animation to new places, and like the puppet himself, breathes life into inanimate objects.

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Guillermo del Toro's Pinocchio