Great Balls of Fire!
Great Balls of Fire!

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- 63/100 based on 18,582 votes

A semi-fictionalized account of the early career of Jerry Lee Lewis is presented. The year is 1956, and he, as the front man, is trying to break into the business in a combo with among others his cousin, J.W. Brown, playing his rollicking version of the music he has always been interested in: what he heard emanating from the black honky-tonks of the south. Success and what goes along with it - fame and money - are arguably foremost on his mind. Against the many odds, he is ab... (Full plot summary below)

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Full Plot Details

A semi-fictionalized account of the early career of Jerry Lee Lewis is presented. The year is 1956, and he, as the front man, is trying to break into the business in a combo with among others his cousin, J.W. Brown, playing his rollicking version of the music he has always been interested in: what he heard emanating from the black honky-tonks of the south. Success and what goes along with it - fame and money - are arguably foremost on his mind. Against the many odds, he is able to gain that success, the odds including the Christian moral majority largely denouncing his type of music - hard driving rock 'n' roll - as that of the devil and thus anti-Christian, with one of his most vocal opponents with regard to his music being another cousin, sidewalk evangelist Jimmy Swaggart. He may derail his own success in his reckless behavior, especially falling prey to his urges with adoring young female fans, the most scandalous relationship being with J.W. and his wife Lois' thirteen year old daughter, Myra Gale Brown, who would go on imminently to become Myra Lewis, aka Mrs. Jerry Lee Lewis, and who in part was looking for a protector in her fear during this nuclear age.

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Movie Reviews

Miami Herald - 8/10 by Doug AriansonAnyone looking for a true sense of his importance in the history of rock-and-roll will be let down by Great Balls of Fire. But though the film may skimp on the truth, it is loaded with terrific music and outrageous fun.
Los Angeles Times - 7/10 by Michael WilmingtonWinona Ryder is wonderful as the naive child bride. Dennis Quaid, as Lewis, mugs and struts in a colorfully unreal caricature, miming to new Jerry Lee renditions of classic tunes.
Tampa Bay Times - 6/10 by Hal LipperGreat Balls of Fire gives us a Jerry Lee Lewis who has been sanitized, popularized and lobotomized. Even then, the story ends in 1959 - before most of the events for which "The Killer" became notorious.
Washington Post - 6/10 by Eve ZibartThe acting is superb. Quaid, who practiced piano 12 hours a day (Lewis dubbed the vocals), has Lewis's megalomaniacal theatricality and perverse ignorance down perfectly, and his white-trash accent as well. Winona Ryder turns in a stunning performance as Myra, not only looking but feeling 13. And X frontman John Doe is quietly pathetic as Myra's father and Lewis's long-suffering sideman (along with guitarist Jimmie Vaughn and drummer Mojo Nixon).
USA Today - 6/10 by Mike ClarkA loud, careering thunderbolt of a bipoic, that leaves behind an imprint of the myth, if not enough of the man.
BrianOrndorf.com - 6/10 by Brian OrndorfFire is a fascinating, often terribly compelling failure. Much like Lewis's life, I suppose.
The Associated Press - 5/10 by Dolores BarclayIf you're determined to make a fun, feelgood movie, a marriage between a manipulative bigamist and a terrified minor that spirals off into alcoholism, violence and ruination may not be the ideal subject matter. Even if the music is really, really good.
Rolling Stone - 5/10 by Peter TraversLewis’s vintage rock is still cause for cheering. Too bad the movie that contains these Killer sounds never rises above a whimper.
Washington Post - 5/10 by Rita KempleyGreat Balls of Fire, like "La Bamba," is thin on the meaning of the life in question, but big on '50s Billboard nostalgia. It's lightweight archaeology, a bent American Bandstand biography. Something has slipped away from McBride, Quaid and Fields: the truth, the heart, the soul. All that's left is the hip.
Boston Globe - 4/10 by Jay CarrMore fanciful than factual, less likable than either The Big Easy or Breathless, McBride's previous two features, the movie tries hard to re-create the euphoria of 50s rock films, but the poor-white milieu is treated with such crude derision that all the characters wind up seeming like two-dimensional geeks.

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