Gosford Park
Gosford Park

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- 73/100 based on 72,594 votes

The lives of upstairs guests and downstairs servants at a party in 1932 in a country house in England as they investigate a murder involving one of them.... (Full plot summary below)

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The lives of upstairs guests and downstairs servants at a party in 1932 in a country house in England as they investigate a murder involving one of them.

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Movie Reviews

Boston Globe - 10/10 by Jay CarrNever has a film taken such relish in between-the-wars malice as Gosford Park.
New York Magazine (Vulture) - 10/10 by Peter RainerA love affair between performer and filmmaker. The director shows off his ardor by eliciting from his actors aspects of their gifts that they themselves may not have known they had.
Christian Science Monitor - 10/10 by David SterrittThis territory is familiar if you remember the great BBC miniseries "Upstairs Downstairs," but Altman gives it a new twist with his restlessly roaming camera and incisively satirical approach. He's still near the peak of his powers.
Rolling Stone - 10/10 by Peter TraversGosford Park abounds in scenes to savor. It's a feast, and one of Altman's best.
Slate - 10/10 by David EdelsteinThe exhilaration is slow to build. It doesn't come from any one thing but from countless crosscurrents, tiny bits of color that fill out the portrait.
The New Yorker - 10/10 by David DenbyAt a time when too many movies focus every scene on a $20 million star, an Altman film is like a party with no boring guests.
The New York Times - 10/10 by Stephen HoldenA virtuoso ensemble piece to rival the director's "Nashville" and "Short Cuts" in its masterly interweaving of multiple characters and subplots.
USA Today - 10/10 by Mike ClarkIt ranks among Robert Altman's best work ever, and that its many satisfactions derive in large part from a superbly written screenplay by Julian Fellowes that has no equal this year.
L.A. Weekly - 10/10 by Ella TaylorAt his best, Altman turns us into interlopers who have stumbled into a world that seems to predate us and persuades us it will continue to teem with life long after we leave the theater.
Seattle Post-Intelligencer - 10/10 by Sean AxmakerIn the best Altman manner there are no real heroes and villains, only people trapped by their vanity and ambition and the straitjackets of classism.

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