
John Halder is a 'good' and decent individual with family problems: a neurotic wife, two demanding children and a mother suffering from senile dementia. A literary professor, Halder explores his personal circumstances in a novel advocating compassionate euthanasia. When the book is unexpectedly enlisted by powerful political figures in support of government propaganda, Halder finds his career rising in an optimistic current of nationalism and prosperity. Seemingly inconsequen... (Full plot summary below)
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John Halder is a 'good' and decent individual with family problems: a neurotic wife, two demanding children and a mother suffering from senile dementia. A literary professor, Halder explores his personal circumstances in a novel advocating compassionate euthanasia. When the book is unexpectedly enlisted by powerful political figures in support of government propaganda, Halder finds his career rising in an optimistic current of nationalism and prosperity. Seemingly inconsequential decisions lead to choices, which lead to more choices... with eventually devastating effect.
Leave your thoughts about Good.
| Urban CinefileAndrew L. UrbanThis film contributes to the important debate about morality in times of political trauma and oppression of personal freedoms |
| EmanuelLevy.ComEmanuel LevyDespite Mortensen's heroic effort, Good is simply not good, a failed version of a stylized, powerful play of ideas about the devastating price of conformity. |
| Flick FilosopherMaryAnn JohansonNo actor has ever looked less comfortable in a Nazi uniform than Viggo Mortensen does... |
| Entertainment WeeklyOwen GleibermanGood has a stagy fustiness, but it's worth seeing for Mortensen, who makes this study of a 'good German' look creepily contemporary. He shows us the horror of ignorance. |
| New York Magazine/VultureDavid EdelsteinThe subject -- self-deception and failure of nerve in an unjust world -- is too messy and horrible to laugh away. |
| Sydney Morning HeraldPaul ByrnesMortensen ably carries most of the weight, with a minimalist performance. |
| Shadows on the WallRich ClineThis isn't gritty realism; it's a morality tale, and it's made with quiet passion and real power |
| Spirituality and PracticeFrederic and Mary Ann BrussatAn ambitious move about a Nazi professor played by Viggo Mortensen that never really grabs hold of us because it's difficult to identify with the main character. |
| New York TimesStephen HoldenA Good Year is a three-P movie: pleasant, pretty and predictable. One might add piddling. |
| indieWireLeo GoldsmithBears a superficial resemblance to "The Conformist" and "The Garden of the Finzi-Continis," with their sense of dreary complacency, oppressively museum-like spaces, and curiously drab natural settings, but ultimately "Good" is less evocative |