Connie Nikas forcibly removes his developmentally disabled brother Nick from a therapy session. The two rob a New York City bank for $65,000. In the getaway car, a dye pack explodes in a money bag, causing the driver to crash. Connie and Nick flee on foot, washing the dye from their clothes in a restaurant restroom. Stopped by police, Nick panics and runs; Nick is arrested while Connie escapes. Connie attempts to secure a bail bond, but needs $10,000 more to get Nick out of j... (Full plot summary below)
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Connie Nikas forcibly removes his developmentally disabled brother Nick from a therapy session. The two rob a New York City bank for $65,000. In the getaway car, a dye pack explodes in a money bag, causing the driver to crash. Connie and Nick flee on foot, washing the dye from their clothes in a restaurant restroom. Stopped by police, Nick panics and runs; Nick is arrested while Connie escapes. Connie attempts to secure a bail bond, but needs $10,000 more to get Nick out of jail. He convinces his girlfriend, Corey, to pay with her mother's credit cards, but her mother cancels the cards. Connie learns that Nick has been hospitalized after a fight with an inmate.
Leave your thoughts about Good Time.
| Metro (UK)Rebecca LewisThe film never lets up, pushing and pushing and pushing the viewer into Connie's deeply messed up world. |
| Fopp.comRosalynn Try-HaneThe social commentary that runs throughout especially on people on the fringes of society and the harsher treatment people of colour suffer is well done with a lightness of touch that allows the viewer to reflect rather than feel manipulated... |
| SensacinePaula Arantzazu RuizDespite the recognizable elements, everything in Good Time is instinctive, unpredictable and disconcerting. [Full Review in Spanish] |
| Projected FiguresAnton BitelThe title might suggest fun - an idea reinforced by the use of an amusement park as a key location - but Good Time concerns a man's frantic and increasingly doomed dash through nocturnal New York to prevent a loved one doing a very different kind of time. |
| Sacramento News & ReviewDaniel BarnesGood Time matches the do-anything relentlessness of its lead character, making for one of the most visceral and exciting movie experiences of the year. |
| Birth.Movies.Death.Michael GingoldThe Safdies and cinematographer Sean Price Williams immerse you in the pressurized scenario with a mix of tight close-ups, handheld camerawork and overhead shots suggesting the viewpoint of a scientist watching a rat traverse a maze. |
| The Globe and Mail (Toronto)Brad WheelerTense, immersive and excellently assaulting, Good Time is hella time. |
| Los Angeles TimesJustin ChangAt once a swift, relentless chase thriller and an exhilarating mood piece that recalls the great, gritty crime dramas of Sidney Lumet and Abel Ferrara, Good Time is also exactly what it says it is: a thrill, a blast, a fast-acting tonic of a movie. |
| DeciderJoe ReidThis is a gorgeous movie about ugly people. |
| Screen InternationalTim GriersonGood Time features no shootouts or car chases—there isn’t a single explosion in the whole film. The Safdies and Pattinson don’t need any of that. Like Connie, they thrive on their wits and endless inventiveness—the thrill comes in marveling at how far it can take them. |
