Give Me Your Hand
Give Me Your Hand

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- 58/100 based on 1,333 votes

Twin 18-year-olds hitchhike to their mother's funeral in Spain. The journey changes their lives forever.... (Full plot summary below)

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Full Plot Details

Twin 18-year-olds hitchhike to their mother's funeral in Spain. The journey changes their lives forever.

Review & Comments

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Movie Reviews

Nick's Flick Picks - 9/10 by Nick DavisIt's almost hard to see the movie inside all the recycled beats and diaphanous construction, much less to feel its pulse.
Shadows on the Wall - 7/10 by Rich ClineWith its meandering, unfocussed narrative, this sometimes feels more like beautiful moving wallpaper than an actual film. But even without much plot, it's a fascinating exploration of identity.
Total Film - 6/10 by Josh WinningAn award-winner for his short films, Vincent makes the stretch to feature length comfortably enough, even if his meditation on the limits of brotherly love does allow its imagery of wild European landscapes to do more of the talking...
Time Out - 6/10 by Stephen GarrettWhat's refreshing about Pascal-Alex Vincent's dramatically thin but richly atmospheric feature debut is that it recognizes the essential truth of the conceit: all seminal voyages are journeys of heightened awareness, as visceral as they are emotional.
Village Voice - 5/10 by Nicolas RapoldIt's usually a dangerous sign when a director casting about for an idea gets fascinated by twins.
New York Times - 5/10 by Mike HaleThe Carrils are so inexpressive and the script so sketchy that we never have much of a stake in figuring it out.
Guardian - 4/10 by Peter BradshawThe movie always looks good with an inspired comic-book animated opening sequence, but there is something preposterous about the leads and their smouldering emotions.
The Atlantic - 2/10 by Ed KochThe long and short of it is that that this road-trip film is not terrible, but it is certainly not a good movie. It lacks a plot and goes nowhere, but the scenes of rural France are magnificent.
User Review - 10/10 by Brennan AThis was a masterpiece to say the least. The main thread of this movie is to make it to Spain to be at their mother's funeral, but what happens on the way there is what shapes these two young men. Dialogue comes second to observation and expression. I realized towards the end that the twins had something that is rare to find in actors and in people, an air of mystery and unspoken word. If I'm being honest I initially watched this because I thought this was going to center around forbidden love and all of the fabrics that make a family and also break them. But to my surprise this film let life play out, let emotions and thoughts and the present of youth dominate the screen. This made the film a time capsule of innocence, maturity (in the most fascinating way), and nostalgia. I don't think I'll ever forget this movie, and I plan on making a poster out of it when I go back to the dorms. Thank you Pascal-Alex Vincent for this wonderful film.
User Review - 10/10 by Ronnie C"Two kids from a garden" as the chanson is telling us, sung by the remarkable Colette Magny (1963), are set to go into the world on a sentimental and mysterious journey in hopes to be at their mother's funeral, mother they never knew. The mixed and surprising characters they come across and interact with are absolutely fantastic. Antoine and Quentin the handsome twins could not look more alike and be as different as day and night. They are used to people come and go into their lives bringing joy and pain. "Where are you going?" one of the twins asked, but there was no answer, she just kept walking away, it was the natural thing to do. Life is a bunch of chances, "Que Sera, Sera" (Whatever Will Be, Will Be) and we are riding along this amazingly written, directed and acted independent film. The images are beautiful the soundtrack is hunting and the very close brothers are astounding. You don't want them to hurt each other or be separated, but they do and we care. They communicate through feelings and deep emotions, they sense each other even if they are not together. I wanted the film to keep going and going, to go across the universe and back, I would have never gotten tired riding along.

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