Get Out
Get Out

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- 77/100 based on 189,327 votes

It's time for a young African American to meet with his white girlfriend's parents for a weekend in their secluded estate in the woods, but before long, the friendly and polite ambience will give way to a nightmare.... (Full plot summary below)

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It's time for a young African American to meet with his white girlfriend's parents for a weekend in their secluded estate in the woods, but before long, the friendly and polite ambience will give way to a nightmare.

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Movie Reviews

Forbes - 10/10 by Scott Mendelson It wears its homages on its sleeve, yet it's a true original that itself will be homaged in generations to come...
Village Voice - 10/10 by Alan Scherstuhl Get Out is searing satire, with scary/comic riffs on slavery and assimilation, but it's also a smashing crowd-pleaser of a horror film ...
Lyles' Movie Files - 10/10 by Jeffrey Lyles One of those rare mainstream films that defies definition. However you choose to label it, Get Out is a wholly engaging, entertaining and particularly relevant film.
The Ooh Tray - 10/10 by Ed Whitfield A great exercise in sustained tension and menace rooted in social discomfort.
Georgia Straight - 10/10 by Steve Newton I've been reviewing horror movies professionally since 1988...and I can honestly say that [Get Out] is in my top 10 of all time.
Flicks.co.nz - 10/10 by Aaron Yap Smart, accessible, pin-sharp, and also a more authentic, disturbing genre-tweaking pic about slavery and the antebellum South than Django Unchained.
Irish Independent - 10/10 by Paul Whitington Jordan Peele's Get Out is so clever you could write a thesis on it the length of War and Peace.
Spliced Personality - 10/10 by Sean Burns The big joke --and it's one that draws blood-- is that we spend half the movie wondering if something sinister's going on or if these folks just don't have any idea how to behave around brown people.
Chicago Reader - 10/10 by J. R. Jones Jordan Peele makes his directing debut with a horror movie that sticks closely to genre convention even as its ribbing of white liberals hardens into a social point.
NOW Toronto - 10/10 by Norman Wilner Peele leavens the message with occasional (and much-needed) explosions of unexpected comedy, but have no illusions: he's dead serious about the story he's telling. The result is a remarkable genre work that stands with the best of them.
L.A. Biz - 10/10 by Annlee Ellingson [Writer-director Jordan Peele] has wrapped trenchant commentary on contemporary race relations inside of ... a horror movie.
Los Angeles Daily News - 10/10 by Bob Strauss Sometimes the best social commentary movies are genre films. More often than not, those are the cleverest at it. Get Out fills that task to a T.

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