Freeway
Freeway

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- 68/100 based on 30,297 votes

Little Red Riding Hood for the 1990's: After her mom and step-dad are arrested, 15-year-old Vanessa Lutz decides that instead of once again being put into a foster home, she'd rather go and search for the grandmother she's never met, and live with her. "On the way to grandma's house," (actually a trailer park) Vanessa's car breaks down, and she's picked up from the side of the road by Bob Wolverton, a counselor at a school for troubled boys. Bob slowly earns Vanessa's trust, ... (Full plot summary below)

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Full Plot Details

Little Red Riding Hood for the 1990's: After her mom and step-dad are arrested, 15-year-old Vanessa Lutz decides that instead of once again being put into a foster home, she'd rather go and search for the grandmother she's never met, and live with her. "On the way to grandma's house," (actually a trailer park) Vanessa's car breaks down, and she's picked up from the side of the road by Bob Wolverton, a counselor at a school for troubled boys. Bob slowly earns Vanessa's trust, and eventually convinces her to talk about her sexual abuse at the hands of her stepfather. When Vanessa realizes that Bob is enjoying what she's saying, she realizes that he's "The I-5 Killer," from the news. She tries to get out of his truck, but the inside door handle has been removed...

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Movie Reviews

San Francisco Chronicle - 10/10 by Mick LaSalleFreeway is rude in the way the truth is rude -- only funnier. The movie seduces with its humor, all the while presenting a realized vision of a harsh, absurd world.
ReelViews - 9/10 by James BerardinelliUsing black humor, blood, and a pair of tremendous performances, Freeway hones in on its targets and calculatedly skewers them one-by-one…This movie is both grimly funny and thought-provoking.
Chicago Sun-Times - 9/10 by Roger EbertIt seems aimed at people who loved "Pulp Fiction'' and have strong stomachs. Like it or hate it (or both), you have to admire its skill, and the over-the-top virtuosity of Reese Witherspoon and Kiefer Sutherland as the girl and the wolf.
Salon.com - 9/10 by Charles TaylorWith one foot in the grind house and one in the art house, the smarts in Freeway are more than equal to its visceral kick.
The Globe and Mail (Toronto) - 8/10 by Liam LaceyFreeway is full of nice touches—such as making the villain a psychologist— that play off the expectations of a familiar story. While also working as a conventional thriller, its many twists on the fairy tale make it work on an almost subliminal level.
San Francisco Examiner - 8/10 by Allan UlrichA hip, corrosive and often hilarious entertainment, the movie strikes another blow for the American independent film.
Empire - 8/10 by Kim NewmanThe road-crime movie is such a formula in Hollywood that almost every debuting director turns one out, but writer-director Matthew Bright rings the changes by modeling this white trash nightmare on Red Riding Hood.
Los Angeles Times - 5/10 by Kevin ThomasDanny Elfman's intense score contributes crucial energy, John Thomas' camera work is first-rate, but the ambitious Freeway ends up merely trashy.
The New York Times - 5/10 by Lawrence Van GelderRather than seeming classic, Freeway appears to be another film maker showcase, a derivative apprentice work.
Chicago Reader - 5/10 by Jonathan RosenbaumIn spirit, if not in letter, it often resembles a gritty Warners crime movie of the 30s, and it held my interest in spite of its excesses.

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