An aging pot farmer finds her world shattered as she races to bring in what could be her final harvest.... (Full plot summary below)
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An aging pot farmer finds her world shattered as she races to bring in what could be her final harvest.
Leave your thoughts about Freeland.
| The Hollywood ReporterSheri LindenThere isn’t a false note in any of the film’s performances, and within its brief running time, writer-directors Mario Furloni and Kate McLean infuse this story of the changing culture and economics of pot production with an anguished depiction of generational displacement. |
| The Film StageJohn FinkCapturing the rhythms of life on a rural Humble County, California commune in a changing cultural landscape, Kate McLean and Mario Furloni’s beautifully crafted Freeland is a restrained, nuanced drama centered around a quietly thrilling performance by Krisha Fairchild. |
| IndieWireEric KohnFreeland builds from its humble start to a wrenching conclusion, and eventually coalesces into a poignant, understated character study about the destructive collision of nostalgia and regret — a stoner midlife-crisis drama that fully belongs to the era of legal weed, and what happens when people get screwed by it. |
| RogerEbert.comTomris LafflyIt’s a contemplative film that manages to whisk the audience away to an unfamiliar land whose off-the-grid survival you can’t help but root for. |
| VarietyDennis HarveyWhere Freeland is an unadulterated success is in capturing the physical, psychological and spiritual space Devi inhabits. |
| The PlaylistJonathan ChristianFreeland endures as an introspective, succinct mood piece enriched by Fairchild’s phenomenal lead performance and the artistic vision of two compassionate filmmakers in tune with the essence of their craft. |
| Austin ChronicleMarc SavlovIt’s the sublime and understated performance by Krisha Fairchild (Krisha, Waves) as the aging pot farmer Devi Adler that elevates Freeland past its potential as a tone poem cliche into a far more arresting portrait of the old versus the new and beyond. |
| Slant MagazineChuck BowenAt their best, writer-director Mario Furloni and Kate McLean evince a masterful grasp of storytelling that’s subtle and rich in innuendo. |
| Movie NationRoger MooreFreeland is a film many can identify with, even if you’ve never picked up a pipe or bong. It’s a universal story, a timeless tale about anybody who’s napped a little too long and woken up to realize the working world has changed and might have no place for you in it. |
