
In Paris, Chinese cinema student Song Fang is hired to work as the nanny of Simon by his divorced mother Suzanne, who works voicing marionettes in a theater. Suzanne is having troubles with her tenant Marc, who does not pay the rent, while she waits for the return of her older daughter Louise, who lives with her father in Brussels.... (Full plot summary below)
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In Paris, Chinese cinema student Song Fang is hired to work as the nanny of Simon by his divorced mother Suzanne, who works voicing marionettes in a theater. Suzanne is having troubles with her tenant Marc, who does not pay the rent, while she waits for the return of her older daughter Louise, who lives with her father in Brussels.
Leave your thoughts about Flight of the Red Balloon.
| Combustible CelluloidJeffrey M. AndersonBinoche is simply miraculous in this role. |
| Washington PostJohn AndersonBecause it's one of the most beautiful films ever. Because it's a work of art on the order of a poem by Yeats or a painting by Rothko. |
| EmanuelLevy.ComEmanuel LevyPaying tribute to the 1956 French classic, and containing lyrical moments and graceful stylistic touches of its own, Hou's first French-language feature is better than his first foreign foray, the Tokyo-set Cafe Lumiere. |
| 4ColumnsMelissa AndersonEach character an outsider in some way-Simon owing to his age, Song to her nationality-the child and his minder form a tender dyad, one marked by reciprocated respect and curiosity. |
| Slant MagazineNick SchagerHou Hsiao-hsien's trademark long takes call attention to the passage of time, and as such they're intimately attuned to his ongoing thematic interest in the bonds between the past, present, and future. |
| Antagony & EcstasyTim BraytonFor those on the right wavelength...this is magisterial cinema. |
| Boston GlobeTy BurrThe subject is the privileged state of childhood itself - how we're all lucky to have had it and how it so easily floats away from our grasp. |
| FILMINK (Australia)Mark DemetriusIt's all humdrum and low key without any redeeming compositional elegance or symmetry. |
| Newark Star-LedgerStephen WhittyThis Red Balloon is gorgeously photographed, and finely acted; like the first film, it gives its plaything a real, solid dimensionality. But despite its title, it never really soars. |
| Chicago TribuneMichael PhillipsA gem made by a filmmaker who loves life, and knows how to capture its ebb and flow and sweet complication. |