Fiddler on the Roof
Fiddler on the Roof

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- 80/100 based on 45,917 votes

At the beginning of the twentieth century, Jews and Orthodox Christians live in the little village of Anatevka in the pre-revolutionary Russia of the Czars. Among the traditions of the Jewish community, the matchmaker arranges the match and the father approves it. The milkman Reb Tevye is a poor man that has been married for twenty-five years with Golde and they have five daughters. When the local matchmaker Yente arranges the match between his older daughter Tzeitel and the ... (Full plot summary below)

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Full Plot Details

At the beginning of the twentieth century, Jews and Orthodox Christians live in the little village of Anatevka in the pre-revolutionary Russia of the Czars. Among the traditions of the Jewish community, the matchmaker arranges the match and the father approves it. The milkman Reb Tevye is a poor man that has been married for twenty-five years with Golde and they have five daughters. When the local matchmaker Yente arranges the match between his older daughter Tzeitel and the old widow butcher Lazar Wolf, Tevye agrees with the wedding. However Tzeitel is in love with the poor tailor Motel Kamzoil and they ask permission to Tevye to get married that he accepts to please his daughter. Then his second daughter Hodel (Michele Marsh) and the revolutionary student Perchik decide to marry each other and Tevye is forced to accept. When Perchik is arrested by the Czar troops and sent to Siberia, Hodel decides to leave her family and homeland and travel to Siberia to be with her beloved Perchik. When his third daughter Chava decides to get married with the Christian Fyedka, Tevye does not accept and considers that Chava has died. Meanwhile the Czar troops evict the Jewish community from Anatevka.

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Movie Reviews

Common Sense Media - 10/10 by Joyce SlatonEpic story of Jews during the Russian Revolution.
Cinenganos - 10/10 by Luis MartinezUna de las películas más hermosas de la historia.
Hollywood Reporter - 9/10 by Paul Sargent ClarkThere are some contrived and artificial moments in Fiddler, but it becomes more convincing, naturalistic, and involving as it goes on, and finally builds to a powerful climax.
TIME Magazine - 9/10 by Jay CocksThe qualities that have kept the Broadway Fiddler running these seven years are in scant supply onscreen. Gone with barely a trace are warmth, joy, insight and even the most elementary kind of entertainment.
Variety - 9/10 by Variety StaffSentimental in a theatrical way, romantic in the oldfashioned way, nostalgic of immigration days, affirmative of human decency, loyalty, bravery and folk humor.
ReelViews - 9/10 by James BerardinelliFiddler on the Roof is not a perfect motion picture - it is too long and there are times when it's obvious that the musical numbers have been pre-recorded then lip-synched - but it represents an enjoyable three hours.
Solzy at the Movies - 9/10 by Danielle SolzmanNearly 50 years following its release, Fiddler on the Roof remains a beautiful masterpiece.
The Spectator - 9/10 by Christopher HudsonAll I can say is that a very good stage show has, for me, been transformed into an equally good work of cinema.
Chicago Sun-Times - 8/10 by Roger EbertWould it be heresy on my part to suggest that Fiddler isn't much as a musical, and that director Norman Jewison has made as good a film as can be made from a story that is quite simply boring?
The A.V. Club - 8/10 by Noel MurrayBy preserving the exoticism and making sure the audience left the theater humming, Jewison made a grubby, European-flavored movie that Yanks could embrace.

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