Fetishes
Fetishes

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- 61/100 based on 841 votes

Nick Broomfield and a documentary crew visit Pandora's Box, an up-scale house of bondage on Manhattan's Fifth Avenue, where clients pay $175 an hour to be subservient to mistresses. Mistresses talk about their craft; a few clients, usually masked, are interviewed as well. Then, the camera watches sessions organized around fetishes: rubber, wrestling, corporal punishment, masochism, and infantilism. Mistress Raven, the owner of Pandora's Box, explains that pain need not be par... (Full plot summary below)

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Actors in Fetishes:

Mistress Beatrice
Nick Broomfield
Mistress Catherine
Mistress Delilah
Mistress Natasha
Mistress Raven

Full Plot Details

Nick Broomfield and a documentary crew visit Pandora's Box, an up-scale house of bondage on Manhattan's Fifth Avenue, where clients pay $175 an hour to be subservient to mistresses. Mistresses talk about their craft; a few clients, usually masked, are interviewed as well. Then, the camera watches sessions organized around fetishes: rubber, wrestling, corporal punishment, masochism, and infantilism. Mistress Raven, the owner of Pandora's Box, explains that pain need not be part of the subservient experience: it is, at its root, a transfer of power. After their session has ended, clients talk about how drained, relaxed, relieved, and at peace they are.

Review & Comments

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Movie Reviews

ColeSmithey.com - 8/10 by Cole SmitheyBroomfield's movie doesn't deliver on its promise.
User Review - 8/10 by Bethany MI watched the STRANGEST documentary.. ha.
User Review - 8/10 by Kevin MI have never seen a documentary this up close and personal with it's subject, especially when it's a fetish house and it's 'residents'. You will never see another documentary that will show you imagery as controversial or as honestly as this does. It takes us into all the dodgy stuff imaginable that goes on in a fetish house. If you've ever wondered whether submissive men would pay to be humiliated and perform unbelievably perverse acts(like let a dominatrix use his mouth as an ash tray) and then thought, "Nah those things are only in movies" think again. Despite its sparse format and lack of proffesionalism, this is one documentary that will show you stuff you never even knew existed. Definitely worth a watch. Not for the easily offended.
User Review - 8/10 by Annelies SOne of my favourite Broomfield films. What can I say, I'm into that kind of documentary
User Review - 8/10 by Tyler HAnother great documentary by Nick Broomfield. I have studied fetishes for quite some time and I found this doc to shed insight on the dominatrix and her client.
User Review - 8/10 by Michelle CWonderful and enlightening in a purely documentative manner, however not a very good documentary. Nick Broomfield was "asked to do" the project and very obviously has an unfortunate predisposition to the subject, little interest in truly understanding it, and an astonishing lack of nerve in exploring it. Good documentaries often begin with the documentarian having one opinion on his subject, and then, by the end, after he has explored and learned, a changed, dynamic, more educated opinion. This does not happen. Broomfield remains largely willfully ignorant and resistant to the world he explores seemingly grudgingly.
User Review - 8/10 by Adam LThis documentary is pretty good, the interviews and what you see speak for themselves. However the film is harmed by the documentarian who really doesn't ask the proper questions and doesn't seem all that interested in the subject itself. His narration and voice itself are the biggest turnoff in the film, especially in the beginning. It isn't until about 10 minutes into the film that you get hooked and can't look away because the images and interviews just get stranger and stranger.
User Review - 6/10 by Mala GHonest, slightly brutal- overall a playful history of the Fetish world. Broomfield presents to us a candid memoir, for a whole 'other' sexual dimension. ...my favorite part is the infantilism segment. Amazzzzzing!
User Review - 4/10 by Edith NUltimately Disengaged From Itself When I pointed out to Gwen that Roger had liked this documentary, her response was that Roger likes any movie which treats sex in an adult manner. This is possibly true. I know he gets really snippy on the subject of the NC-17 Stigma, given it's why he lobbied so hard for the rating in the first place. And it is certainly true that this movie, if nothing else, treats sex as a subject for mature adults. Not, it should be noted, that there is any actual sex in the film. These women are professionals, but they aren't professionals in that sense. They are mostly able to speak sensibly on the subject of what they do for a living and why. They can express how it affects their day-to-day life. And so forth. Even the people who pay for the women's services can do so. The problem is that filmmaker Nick Broomfield doesn't seem to be listening. He has traveled to Pandora's Box, a dungeon owned by famed dominatrix Mistress Raven. She's stopped seeing clients herself. She later tries to explain why, but it's obvious she has a hard time putting it into words. We do, however, get a glimpse of what her employees do. There's standard bondage and discipline. Sadomasochism. Phone sessions. Standard role playing fantasies, though what these women think are standard is different from what other people do. There is even one man--who is willing to be interviewed on camera without disguise--who is into infantilism, a fetish I don't think most people know exists unless they've seen that one episode of [i]CSI[/i]. We even get a lengthy session with a submissive woman. Mistress Raven opens her business for a free and open examination of what she does, presumably in the hopes that people will be able to see what they're really like. By the end, they don't seem to like the guy, and I don't blame them. Midway through, after he's been observing for some weeks, he mentions something in passing about pain, and the woman to whom he mentions it very quietly and very firmly reminds him that what they do is not all about pain. It is quite clear that she's told him this before, and she obviously believes she will have to tell it to him again. Yes, most of what appears in this film is the pain part, but that seems almost to be a fixation on Broomfield's part more than a true sampling of what goes on behind those tasteful blue-painted doors. We do linger for quite some time on that pretty blonde submissive woman, even though she isn't actually a client per se. The infantilist is given a closer examination than a later client who I think is only there for roleplaying with no violence of any kind. In a way, though, it's the infantilist for whom I feel sorriest. He's put on display, and he knows it. He's willing to be on display; one might almost suspect it's part of what he's there for. However, what wasn't part of his fantasy was having his wife leave him because she couldn't cope with what he wanted from her. Indeed, it doesn't strike me as quite what is covered by the term. He's more interested in being a little girl than a baby, and he's willing to be dressed up as a "big girl" and told how being a big girl can hurt. What people want doesn't always fit into neat categories. Similarly, someone is there paying $1000 a session for the privilege of acting out fantasies he can't at home. The women insist that they are providing a service, and a serious look at it shows this to be true. But of course the reason so few movies out there treat sex like something between mature adults is a chicken-and-egg situation. We aren't prepared to handle a plain look at things outside our comfort zone, and what our comfort zone is can be pretty heavily programmed by a society where sex is something to giggle at--and be ashamed that you know enough to giggle. Really, Pandora's Box could be the subject of serious anthropological and psychological study, but the most interesting stuff to me is what gets lingered on the least. A white cop calls in to be treated the way he's afraid he treats black suspects. A half-Jewish man asks to be interrogated by a Nazi. A black man asked to be treated like an antebellum slave. And a man "forced" to lick a (presumably pre-sterilized!) toilet clean gives an interview with his head in the bowl which makes clear that, at least while he's being told what to do, the weight of the world is off his shoulders. Someone else is making all the decisions and giving all the orders, and there's something appealing to that.
User Review - 4/10 by Nikolaj Z"Being a Big Girl means PAIN in this world. That's what being a Big Girl is about in this world; it's a lot of PAIN." An interesting, but disturbingly grim, look inside a professional house of fetish, its employees, and the clients that pay for their services. Despite the subject matter, I appreciate the humanistic portrayal of all individuals featured in the film.

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