
Margot, who lives in a comfortable middle-class apartment, fears that she is losing her mind after having her second child. Her husband Kurt, who is busy studying for an exam, does not understand her situation. Her mother-in-law and sister-in-law Lore are openly hostile to her. She resorts to Valium and drink and looks for sympathy, but to no avail.... (Full plot summary below)
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Margot, who lives in a comfortable middle-class apartment, fears that she is losing her mind after having her second child. Her husband Kurt, who is busy studying for an exam, does not understand her situation. Her mother-in-law and sister-in-law Lore are openly hostile to her. She resorts to Valium and drink and looks for sympathy, but to no avail.
Leave your thoughts about Fear of Fear.
| CinePassionFernando F. CroceA magnificently laconic distillate of taboo and conformism |
| The GateAndrew ParkerIt's a film nearly devoid of emotional artifice no matter its dramatic trappings. |
| Senses of CinemaJulian SavageFassbinder is not interested in offering simple solutions to his character's woes or depicting their decision making as consistent. The impact of Fear Eats the Soul lies in the way all of the characters are shown to be fallible and flawed. |
| Slant MagazineEd GonzalezAli's terse speaking matter is ripe with aphorisms, but it's also another way for Fassbinder to evoke the suspended animation of his character's lives. |
| ToxicUniverse.comKeith UhlichMany of Fassbinder's best films possess a kind of cosmic balance. No one character or belief rises above another without the other shoe dropping. |
| Time OutNigel FloydFassbinder uses dramatic and visual excess to push everyday events to extremes, achieving a degree of political and psychological truth not accessible through mere social realism. |
| Combustible CelluloidJeffrey M. AndersonFassbinder made this one on the cheap between bigger projects and scored with a beautifully observed, and even oddly gentle tale. |
| GuardianPeter BradshawThe performances of Brigitte Mira and El Hedi Ben Salem as Emmi and Ali are superb; they act with instant sympathy and charm and in their own way, they are the most purely lovable characters I have ever seen on a movie screen. |
| CineVueChristopher MachellIt's surely the sheer, unvarnished humanity on display that's the film's greatest success. |
| Observer (UK)Wendy IdeThe performances are flawless; the themes remain timely. |