How important is the truth when falling in love? Bella is a Manhattan café waitress, about to turn 35, stuck in a long-term affair going nowhere. Paul is a widower, facing old age alone. Bella's mother sets her up with Bruno, a novelist/cabbie who likes to bed-hop and whose ex-wife expects their two children to stay with him for awhile. While Bruno learns some maturity from his young daughter, Paul answers a personals ad placed by a "widow, 60." The two couples - along with ... (Full plot summary below)
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How important is the truth when falling in love? Bella is a Manhattan café waitress, about to turn 35, stuck in a long-term affair going nowhere. Paul is a widower, facing old age alone. Bella's mother sets her up with Bruno, a novelist/cabbie who likes to bed-hop and whose ex-wife expects their two children to stay with him for awhile. While Bruno learns some maturity from his young daughter, Paul answers a personals ad placed by a "widow, 60." The two couples - along with one of Paul's older pals and a Jungian stripper - sort out how to initiate a relationship these days, what to do when someone you like disappoints you, and when to tell the truth.
Leave your thoughts about Fast Food Fast Women.
| Entertainment WeeklyOwen GleibermanKollek is a fringe auteur who makes independent films the old fashioned way: no budget, static camera, a script that telegraphs its tiny, paste gem ironies. |
| San Francisco ChronicleMick LaSalleHas a vacant, inept, why-oh-why feeling from its opening minutes and only gets worse. |
| Matinee MagazineChuck RudolphKollek's screenplay and a concise, adventurous cast amply demonstrate the film's reason for being by playing up the quirky oddness of the film's many frivolous details. |
| Spirituality and PracticeFrederic and Mary Ann BrussatA comedy that satisfies with its magic moments of love, grace, and synchronicity. |
| Combustible CelluloidJeffrey M. AndersonThis movie's goofy charm won me over by the time it ended. |
| Philadelphia InquirerSteven ReaNothing runs very deep, or very diverting ... in this overplayed, underwritten slice of (love-)life. |
| Planet Sick-BoyJon PopickSweet, quite often funny, and is even a bit reminiscent of a Woody Allen comedy. |
| New TimesLuke Y. ThompsonOne of those genially paced, character-driven indies, and succeeds as such very well. |
| Washington PostCurt FieldsTries hard to be charming but succeeds only occasionally. |
| L.A. WeeklyErnest HardyThe film's power lies in the fact that the façade is crumbling on the actress even as she clings to it. That this is not a pathetic sight is due to the grit that we glimpse through the cracks. It's Barbie, becoming human. |
