Newlywed Elizabeth (Abbey Lee) arrives with her brilliant scientist husband Henry (Ciarán Hinds) to his magnificent estate, where he wows her with lavish dinners and a dazzling tour of the property. The house staff Claire (Carla Gugino) and Oliver (Matthew Beard) treat her differently but she can't shake the feeling something is off. Henry explains that everything in his world now belongs to her, all is for her to play in - all except for a locked-off room he forbids her fro... (Full plot summary below)
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Newlywed Elizabeth (Abbey Lee) arrives with her brilliant scientist husband Henry (Ciarán Hinds) to his magnificent estate, where he wows her with lavish dinners and a dazzling tour of the property. The house staff Claire (Carla Gugino) and Oliver (Matthew Beard) treat her differently but she can't shake the feeling something is off. Henry explains that everything in his world now belongs to her, all is for her to play in - all except for a locked-off room he forbids her from entering. When he goes away for business, Elizabeth decides to investigate.
Leave your thoughts about Elizabeth Harvest.
| The Film StageJared MobarakGutierrez does well to share just enough information so that each subsequent revelation can reframe everything before it. |
| Slant MagazineChuck BowenSebastian Gutierrez's film creates an incestuous atmosphere that's reminiscent of the stories of Edgar Allan Poe. |
| VarietyJoe LeydonThe disorienting impact of this early shock, coupled with the zig-zaggy progression of the time-tripping narrative, goes a long way toward distracting from a fairly conventional premise that ultimately asserts itself above all the flash and filigree. Indeed, you could describe the entire movie as an elaborate con job — and intend that appraisal as a compliment. |
| Film Journal InternationalMaitland McDonaghThe film isn’t a genre changer, but it’s elegant and admirably remorseless—and when it breaks bad, it breaks very bad indeed. |
| The LensAndrew WyattThe limpid shocks and needless structural convolutions might be unmemorable, but the striking visuals and juxtapositions linger. |
| The VergeTasha RobinsonWhile several of the characters seem to be making obvious choices for obvious reasons, as the story unfolds, the script gets progressively deeper into their psyches. |
| New YorkerAnthony LaneA curious amalgam of fairy tale and fever dream, which makes less and less sense as it proceeds but does so with undiminished flair... |
| RogerEbert.comSheila O'MalleyWriter-director Sebastian Gutierrez is the latest to tackle the rich implications of Bluebeard in his film Elizabeth Harvest, bringing a modern horror-sci-fi sensibility to the story. The horror is already implicit. Gutierrez makes it explicit. |
| The New York TimesBen KenigsbergMr. Gutierrez keeps the viewer in the same state of confusion as Elizabeth, but each surprise, paradoxically, makes the movie less and less surprising as a whole. |
| Village VoiceKristen Yoonsoo KimGutierrez works some twists on the familiar premise, and one standout thrill of a chase scene employs Brian De Palma’s signature split screens. But as it nears the two-hour mark, the film becomes exhausting, shedding very little light on the futuristic implications of the story. |
