
This light-hearted romantic comedy centers tells of love sought, found, lost, and found again, revolving around the lives of two college students in New York City. Sophomore Al Connelly meets the girl of his dreams, freshman Imogen, and true love abounds. The two engage on a whirlwind courtship--they pick a song, eat a cake together, even make love. But Imogen's fear of lost youth causes her to push away from Al, and they go their separate ways. Al attempts to rebound from th... (Full plot summary below)
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This light-hearted romantic comedy centers tells of love sought, found, lost, and found again, revolving around the lives of two college students in New York City. Sophomore Al Connelly meets the girl of his dreams, freshman Imogen, and true love abounds. The two engage on a whirlwind courtship--they pick a song, eat a cake together, even make love. But Imogen's fear of lost youth causes her to push away from Al, and they go their separate ways. Al attempts to rebound from the relationship, determined to forget Imogen, and he goes to desperate measures to do so. The story is told from the points of view of both Al and Imogen.
Leave your thoughts about Down to You.
| EricDSnider.comEric D. SniderCall me old-fashioned, but I still think movies should have plots. |
| Reel.comCarrie R. WheadonYou can smell the frying cheese from a mile away. |
| Movie MomNell MinowSomewhere in all of that, there is a sweet story about two college kids who fall in love and find more than they are able to handle. |
| San Francisco ChroniclePeter StackA pleasant addition to the time-honored genre of terminally cute youth romance movies, roughly equivalent to staring at a saccharine greeting card for a while. |
| San Francisco ExaminerWesley MorrisNo one expects a light teen romance to be "Madame Bovary," but this is Colorforms filmmaking. |
| Chicago TribuneJohn PetrakisJust another cutesy, rather toothless comedy about the pitfalls of first love. |
| NUVO NewsweeklyEdward Johnson-OttWatching talented young actors slowly committing career suicide is not a pretty sight. |
| Sight and SoundJamie Graham[Director Kris Isacsson] tries to bring a little enterprise to the inevitable scenes of bickering and moody silence, but by now the vitalising tactics seem out of place. |
| Boxoffice MagazineMichael TunisonWhen the lovers finally do find a reason to fight, the film takes a turn into hand-wringing melodrama from which it never recovers. |
| New York TimesA.O. ScottFlees from anything that might involve real human emotion, or for that matter any credible human activity other than looking good. |