
An American artist's obsession with a disturbing urban legend leads her to an investigation of the story's origins at the crumbling estate of a reclusive painter in Ireland.... (Full plot summary below)
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An American artist's obsession with a disturbing urban legend leads her to an investigation of the story's origins at the crumbling estate of a reclusive painter in Ireland.
Leave your thoughts about Don't Leave Home.
| The Victoria AdvocateJoe FriarA creepy supernatural thriller that reminds me of Rod Serling's early 70s television horror series Night Gallery. |
| CinemalogueTodd Jorgenson... gradually and effectively builds suspense without resorting to cheap scares, even when the story lacks a deeper emotional resonance and relies too heavily on unexplained coincidences. |
| Reeling ReviewsLaura Clifford...Tully's creepy Catholic allegory hits high notes in its climax that recall Kubrick and Polanski. |
| IndieWireEric KohnThe closing minutes are a completely original sort of survival drama, one that defies precise explanation even as it delivers significant payoff. |
| New York TimesJeannette CatsoulisDon’t Leave Home is a frustratingly befuddled movie that’s nevertheless fascinating. |
| Screen InternationalFionnuala HalliganSlow, deliberate and often unexpectedly funny, Michael Tully’s (Ping Pong Summer) contribution to the ever-growing Irish horror catalogue is refreshingly original even if it lacks the jump scare pay off to its heavily-signposted creepiness. |
| The Film StageMike MazzantiFor where Don’t Leave Home perhaps intrigues most is in its more abstract elements. |
| Film ThreatPaul ParcellinIt’s easy to forgive its melodramatic excesses, especially if you happen to be partial to the genre. And things do pick up as the story unfolds. |
| Ozus' World Movie ReviewsDennis SchwartzI'd give it an A for effort and C for execution. |
| Austin ChronicleJosh KupeckiTully, along with cinematographer Wyatt Garfield and composer Michael Montes, has crafted an elegantly creepy pastiche. |