Dog Eat Dog
Dog Eat Dog

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A crew of ex-cons are hired by a Cleveland mafioso to kidnap the baby of a rival mobster.... (Full plot summary below)

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Full Plot Details

A crew of ex-cons are hired by a Cleveland mafioso to kidnap the baby of a rival mobster.

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Movie Reviews

El Pais (Spain) - 8/10 by Javier Ocaña A film full of social criticism that perhaps gets lost in an uncontrolled sea, with surprisingly calm interpretations, ends up being defined by some of the most ferocious dialogues of its protagonists. [Full review in Spanish]
AV Club - 8/10 by Ignatiy Vishnevetsky Dog Eat Dog avoids any relationship between character psychology and visual style; they jab against each other, angrily vying for attention, as a nihilistic commentary on crime movies and genre stories.
Village Voice - 8/10 by Danny King Why watch the nihilistic Dog Eat Dog ... when Schrader has made so many other movies that deal far more tenderly - and equally brutally - with characters of a similar ilk - his criminals, outsiders and losers?
indieWire - 8/10 by David Ehrlich A giant middle finger to anyone who's ever forced Paul Schrader to compromise.
Cleveland Plain Dealer - 8/10 by Michael Heaton Dog Eat Dog has a lot of crazy, scary and wonderful moving parts. It's just unfortunate that so few of them fit together.
The Film Stage - 8/10 by Giovanni Marchini Camia Taking the trashy gusto exhibited in The Canyons to whole new extremes, Schrader goes full exploitation for Dog Eat Dog 's first act.
Chicago Sun-Times - 8/10 by Richard Roeper Dog Eat Dog occasionally positions itself as social commentary, but it's mainly a bloody, trippy, bare-fanged pulp thriller featuring terrifically entertaining performances from old dogs Cage and Dafoe.
Guardian - 8/10 by Peter Bradshaw Plot strands are left dangling; but Schrader carries it off. He still has flair.
The Hollywood Reporter - 8/10 by Todd McCarthy The film positively swills in its disreputability and all-around low-budgetness; sporting a healthy disregard for respectability, Schrader has just gone for it here with a highly focused recklessness that he turns to his creative advantage.
NPR - 8/10 by Mark Jenkins The film might have taken a more original route to perdition. You can never guess what wild-eyed prank Schrader will pull next, but his characters are more predictable. - 8/10 by Brian Orndorf It's Schrader trying to raise hell with stars Nicolas Cage and Willem Dafoe, and while the feature achieves craziness, it doesn't translate to anything particularly memorable.
Variety - 8/10 by Peter Debruge Like the criminals, who don't have even so much as a code among thieves to abide by, Schrader's choices nearly all seem to be arbitrary. Instead of coming off as veterans who know what they're doing, the result feels dangerously amateur.

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