
In 1858, a bounty-hunter named King Schultz seeks out a slave named Django and buys him because he needs him to find some men he is looking for. After finding them, Django wants to find his wife, Broomhilda, who along with him were sold separately by his former owner for trying to escape. Schultz offers to help him if he chooses to stay with him and be his partner. Eventually they learn that she was sold to a plantation in Mississippi. Knowing they can't just go in and say th... (Full plot summary below)
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In 1858, a bounty-hunter named King Schultz seeks out a slave named Django and buys him because he needs him to find some men he is looking for. After finding them, Django wants to find his wife, Broomhilda, who along with him were sold separately by his former owner for trying to escape. Schultz offers to help him if he chooses to stay with him and be his partner. Eventually they learn that she was sold to a plantation in Mississippi. Knowing they can't just go in and say they want her, they come up with a plan so that the owner will welcome them into his home and they can find a way.
Leave your thoughts about Django Unchained.
| Chicago Sun-TimesRoger EbertWhat Tarantino has is an appreciation for gut-level exploitation film appeal, combined with an artist's desire to transform that gut element with something higher, better, more daring. His films challenge taboos in our society in the most direct possible way, and at the same time add an element of parody or satire. |
| Wall Street JournalJoe MorgensternThe film doesn't play it safe, so neither will I. Instead, I'll say that it finds Mr. Tarantino perched improbably but securely on the top of a production that's wildly extravagant, ferociously violent, ludicrously lurid and outrageously entertaining, yet also, remarkably, very much about the pernicious lunacy of racism and, yes, slavery's singular horrors. |
| St. Louis Post-DispatchJoe WilliamsWith a fearless director and his mighty pen freeing a talented cast to attack a vital theme, Django Unchained is damnation unleashed. |
| San Francisco ChronicleMick LaSalleThe most consistently entertaining movie of 2012. It's 165 minutes long and shouldn't be a minute shorter, a film of surprises, both in story and in casting, and of moments of agonizing, teased-out tension. The dialogue is dazzling. |
| Los Angeles TimesBetsy SharkeyIn "Django," Tarantino is a man unchained, creating his most articulate, intriguing, provoking, appalling, hilarious, exhilarating, scathing and downright entertaining film yet. |
| The New York TimesA.O. ScottLike "Inglourious Basterds," Django Unchained is crazily entertaining, brazenly irresponsible and also ethically serious in a way that is entirely consistent with its playfulness. |
| ObserverRex ReedExactly what you might expect from the fearless, controversial director of "Pulp Fiction" - it's overlong, raunchy, shocking, grim, exaggerated, self-indulgently over-the-top and so politically incorrect it demands a new definition of the term. It is also bold, original, mesmerizing, stylish and one hell of a piece of entertainment. |
| The GuardianPeter BradshawDjango Unchained also has the pure, almost meaningless excitement which I found sorely lacking in Tarantino's previous film, Inglourious Basterds, with its misfiring spaghetti-Nazi trope and boring plot. I can only say Django delivers, wholesale, that particular narcotic and delirious pleasure that Tarantino still knows how to confect in the cinema, something to do with the manipulation of surfaces. It's as unwholesome, deplorable and delicious as a forbidden cigarette. |
| VarietyPeter DebrugeAn immensely satisfying taste of antebellum empowerment packaged as spaghetti-Western homage... A bloody hilarious (and hilariously bloody) Christmas counter-programmer. |
| Boxoffice MagazineJames RocchiA sharp shock of a film in an Awards season very full of movies so noble they become immobile. It's wildly unlikely to get much love from the Academy, and that's fine-bluntly, it's too good for them. With its bloody stew of history and hysteria, action taken from movies and atrocities taken from fact, Django isn't just a movie only America could make-it's also a movie only America needs to. |