Dirty Rotten Scoundrels
Dirty Rotten Scoundrels

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- 74/100 based on 75,407 votes

Wealthy native Brit Lawrence Jamieson, living in Beaumont-sur-Mer on the French Riviera, earns most of his money through big cons on wealthy unsuspecting women. With the help of his associates, corrupt Police Inspector Andre, who provides him most of his intel, and his butler Arthur, he pulls scams such as pretending to be a foreign deposed Prince who needs money to finance a secret war to liberate his people. Beaumont-sur-Mer, and thus his world, is invaded by brash American... (Full plot summary below)

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Full Plot Details

Wealthy native Brit Lawrence Jamieson, living in Beaumont-sur-Mer on the French Riviera, earns most of his money through big cons on wealthy unsuspecting women. With the help of his associates, corrupt Police Inspector Andre, who provides him most of his intel, and his butler Arthur, he pulls scams such as pretending to be a foreign deposed Prince who needs money to finance a secret war to liberate his people. Beaumont-sur-Mer, and thus his world, is invaded by brash American Freddy Benson, another con man whose targets are also wealthy unsuspecting women. Lawrence believes Freddy is the Jackal, a con man whose true identity is unknown, but who is known to be working his way through Europe. While Lawrence works on thousands of dollars per scam, Freddy works only on tens or if he is lucky hundreds of dollars. Lawrence's efforts to get Freddy out of his territory are unsuccessful, so when Freddy figures out that Lawrence is a con man like he is, he decides to blackmail Lawrence to work under him to learn the art of the sophisticated and thus earn more lucrative con. Eventually, Lawrence and Freddy have a difference in how to operate their joint cons, so they issue each other an ultimatum: the person who is able to con a mark out of fifty thousand dollars first will get the French Riviera as their territory, with the other having to leave forever. Who they choose is naive and slightly bumbling American "soap Queen" Janet Colgate, who has just arrived in the area. The nature of how each tries to get the fifty thousand dollars from Janet changes over time, each needing to play off the other's con. But their focus may change with more information learned about the situation, as well as some external factors they did not anticipate.

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Movie Reviews

Variety - 10/10 by Variety StaffA wonderfully crafted, absolutely charming remake of the 1964 film Bedtime Story.
Reel Film Reviews - 8/10 by David Nusair...a deliberately-paced yet consistently entertaining comedy that benefits substantially from Caine and Martin's superb work...
The New York Times - 8/10 by Vincent CanbyLine by line, the dialogue isn't all that quotable, but there is consistently funny life on the screen. The film's comic timing is nearly flawless.
Wall Street Journal - 8/10 by Julie SalamonThe chemistry between Martin and Caine is fun, and Headly provides a resilient foil as a woman who looks like a pushover but somehow never seems to topple.
Boston Globe - 8/10 by Jay CarrSet on the French Riviera, the movie has the kind of plot that cries out for the stylish treatment that a Billy Wilder could bring to it; without it, the various twists seem needlessly spun out and implausible, although Martin is allowed to show off his brand of very physical comedy to some advantage, and Miles Goodman contributes a pleasant score.
rec.arts.movies.reviews - 8/10 by Dragan AntulovA very funny and entertaining film that should be recommended as an example of something that is rather absent in Hollywood these days -- stylish and well-crafted comedy.
Film Frenzy - 8/10 by Matt BrunsonBright performances define this film as much as the big belly laughs.
Chicago Sun-Times - 8/10 by Roger EbertThe chemistry between Martin and Caine is fun, and Headly provides a resilient foil as a woman who looks like a pushover but somehow never seems to topple.
Common Sense Media - 6/10 by Elliot PanekMartin and Caine scam women. Not for young kids.
Times (UK) - 6/10 by David RobinsonThe writers, Stanley Shapiro and Paul Henning, have brightened up their 1964 script in collaboration with Dale Launer with some caustic new gags and a more effective ending; and Frank Oz's direction keeps the comedy zapping along at a fine pace.

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