
Mexico City. 2002, 2006, 2010. A cop. A hostage. A wife. Corruption, violence, vengeance. Three destinies, during 30 days, during three Soccer World Cups. Three ways to fight in order to survive.... (Full plot summary below)
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Mexico City. 2002, 2006, 2010. A cop. A hostage. A wife. Corruption, violence, vengeance. Three destinies, during 30 days, during three Soccer World Cups. Three ways to fight in order to survive.
Leave your thoughts about Days of Grace.
| ScotsmanAlistair HarknessThis is genre filmmaking taken to its pulpiest extreme, an example of style over substance to be sure, but what style. |
| Eye for FilmAmber WilkinsonEverardo Valerio Gout directs as though he may never get another chance, throwing just about everything he can at his first feature - and quite a lot of what he throws is impressive, even if he sometimes tries just a little too hard. |
| ViewLondonMatthew TurnerThe pacing drags in the early stages, the characters are thinly sketched and the impact of the dialogue has been diluted by a shoddy subtitling job. |
| Daily Express (UK)Allan HunterThere are characters who help to connect the stories and provide a straight line through a very twisted narrative. In its best moments this is an exciting, involving multi-story thriller. |
| London Evening StandardCharlotte O'SullivanSo confusing (especially if you're a football dolt) that you may have trouble identifying the different narrative strands. It's still gripping. |
| Observer (UK)Philip FrenchThis is all very impressive in its scope and moral reach, and the movie, with its extensive use of handheld cameras, sweaty close-ups and violent encounters, is visually striking. |
| Mark Leeper's ReviewsMark R. LeeperIt does have enough action to be entertaining and it will give a lot more to the viewer who can work out the style intricacies. |
| Metro (UK)Angie ErrigoThe rapid-fire editing and an interesting musical score make you so dizzy it's very hard at times to follow who is doing what to whom and when. Still, there are nifty twists in the histrionic, compelling storytelling. |
| The ListHannah McGillGout, a prolific short filmmaker here making his feature-length debut, shows a flair for directing actors and for creating atmospheric visual sequences, often composed of single, beautifully-soundtracked tracking shots. |
| Little White LiesDavid JenkinsSo we think Mexico is an extremely violent place, but are a bit confused to be frank. |