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Das blaue Licht

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- 60/100 based on 105 votes

Good soldier Jakob expect the promised pay o top of glory after a victorious war, but king Karl gives only his standard speech and worthless medals. returning home wounded and penniless, ...... (Full plot summary below)

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Good soldier Jakob expect the promised pay o top of glory after a victorious war, but king Karl gives only his standard speech and worthless medals. returning home wounded and penniless, ...

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Movie Reviews

Chicago Sun-Times - 6/10 by Roger EbertThe movie presents the surfaces of Obermaier's life but never lets us understand who she was.
The New York Times - 5/10 by Nathan LeeLike most flower-power nostalgia trips, Eight Miles High has the irksome effect of reminding the audience -- whether too young or too square -- that it missed out on the grooviest moment in history, man. But as these things go, this one goes with flair.
Chicago Tribune - 5/10 by Michael PhillipsThe film's tone is utterly indistinct, beyond fatuous adoration of its subject.
Los Angeles Times - 4/10 by Mark OlsenAny film that uses the Stooges' drone-y song "We Will Fall" to underscore a drug-love scene can't be all bad, but they, as apparently does Uschi, deserve better than this.
New York Post - 4/10 by V.A. MusettoHas little to offer beyond titillation and pretty landscapes.
Chicago Reader - 3/10 by J.R. JonesGerman supermodel Uschi Obermaier slept with Mick Jagger and Keith Richards, and all we get is this lousy biopic.
The A.V. Club - 3/10 by Sam AdamsIf the movie had greater style, it might approach the delirious badness of "The Valley Of The Dolls," but it's too dull to qualify as camp.
Variety - 2/10 by Ronnie ScheibOne long tease -- not in a voyeuristic sense, since its heroine, as nakedly incarnated by pouty Polish sexpot Natalia Avelon, hides none of her obvious talents under a bushel.
Village Voice - 0/10 by Michelle OrangeStoned on the story's '60s-sex-bomb potential, Bornhak piles on the sex and forgets the bomb; the result is unaffecting filmmaking, as slack-jawed and superficial as its subject.

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