Cutter's Way
Cutter's Way

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Drifter Richard Bone is temporarily living with his friends, married couple Alex and Mo Cutter, in Santa Barbara, while working for their mutual friend, George Swanson, as a salesman at his boat dealership. Rich and Mo may have ended up together if Rich had stuck around at the time, something that Mo can't help but think about now in Alex long having dropped out of life the result of his experience in Vietnam, which included losing an eye, an arm and a leg, he largely turning... (Full plot summary below)

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Full Plot Details

Drifter Richard Bone is temporarily living with his friends, married couple Alex and Mo Cutter, in Santa Barbara, while working for their mutual friend, George Swanson, as a salesman at his boat dealership. Rich and Mo may have ended up together if Rich had stuck around at the time, something that Mo can't help but think about now in Alex long having dropped out of life the result of his experience in Vietnam, which included losing an eye, an arm and a leg, he largely turning to the bottle to cope. Only when he is brought in as a suspect does Rich comes to the realization that what he saw off in the distance one rainy night in a back alley was the disposal of a dead body, the victim seventeen year old Vicky Duran. Spotting him in a crowd, Rich is "certain" that who he saw dump the body is one of Santa Barbara's most upstanding citizens, oil baron J.J. Cord. What Rich and Alex discover about Cord and his movements that evening fit with him being the perpetrator. Bringing in Vicky's sister, Val Duran, who wants justice for Vicky, Alex comes up with a scheme to expose Cord as the murderer, that scheme - sending Cord a blackmail letter, he responding to such with the requested moneys proving he the murderer - which requires Rich's cooperation as the front man. While this plot seems to have brought Alex back to life, it may be the impetus for forever changing the relationships between Rich, Alex and Mo.

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Movie Reviews

Total Film - 10/10 by Philip KempThe three leads are on outstanding form, while Jack Nitzsche's score shimmers with foreboding.
Little White Lies - 10/10 by Anton BitelExceptional script, direction and performances make this elliptical neo-noir a forgotten classic.
Time Out - 10/10 by Tom HuddlestonThe result is nothing less than a modern masterpiece, and a film ripe for rediscovery.
The Guardian - 10/10 by John PattersonCutter's Way is a movie that starts yielding up its real treasures around the third viewing, so stick with it (you'll hate the ending first time out). I've seen it perhaps 30 times – it may be my favourite American movie – and, unlike its three broken leads, I have still yet to hit bottom. For once, the word is appropriate: masterpiece.
Empire - 10/10 by Kim NewmanEichhorn, who should have had a much bigger career, is luminous as the sad-eyed heroine, while Heard pulls off the showy role - especially in a climax that finds him rampaging through a posh party at the Cord estate in search of justice.
Los Angeles Times - 9/10 by Kevin ThomasAn unclassifiably brilliant gem of American independent film-making.
Variety - 9/10 by Variety StaffSuffers from a terminal case of creative indecision.
Creative Loafing - 9/10 by Matt BrunsonCutter's Way is at once an American film of its time and for all ensuing times, an ugly-truth endeavor examining a nation in which the rich and powerful literally get away with murder while the poor and pitiful barely exist at all.
Guardian - 8/10 by Peter BradshawThe film moves with an easy uncoerced swing: moment by moment, scene by scene, we are unsure what to think or where we are going. It is a fascinating, organically grown drama.
Empire Magazine - 8/10 by David ParkinsonLike the '70s output of Pakula and Lumet, Ivan Passer's tense thriller stands as a classy monument to the paranoia of post-Watergate America.

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Cutter's Way