
In turn-of-the-century Sweden, cancer-stricken, dying Agnes is visited in her isolated rural mansion by her sisters Karin and Maria. As Agnes' condition deteriorates and pain management becomes increasingly more difficult, fear and revulsion grip the sisters, who seem incapable of empathy, and Agnes' only comfort and solace comes from her maid Anna. As the end draws closer, long repressed feelings of grudging resentment and mistrust cause jealousy, selfishness, and bitterness... (Full plot summary below)
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In turn-of-the-century Sweden, cancer-stricken, dying Agnes is visited in her isolated rural mansion by her sisters Karin and Maria. As Agnes' condition deteriorates and pain management becomes increasingly more difficult, fear and revulsion grip the sisters, who seem incapable of empathy, and Agnes' only comfort and solace comes from her maid Anna. As the end draws closer, long repressed feelings of grudging resentment and mistrust cause jealousy, selfishness, and bitterness between the siblings to surface.
Leave your thoughts about Cries and Whispers.
| New York TimesVincent CanbyIt stands alone and it reduces almost everything else you're likely to see this season to the size of a small cinder. |
| Q Network Film DeskJames KendrickBergman's mastery of the cinematic medium allows him to convey this inner battle with minimal physical activity. |
| Cine VértigoErnesto Diezmartinez"One of the most perfect works - in the form - and disturbing - in the content - of the Swedish filmmaker". |
| Chicago Sun-TimesRoger EbertBergman never made another film this painful. To see it is to touch the extremes of human feeling. It is so personal, so penetrating of privacy, we almost want to look away. |
| Journal and Courier (Lafayette, IN)Bob BloomA timeless classic for every film student. |
| ColeSmithey.comCole SmitheyA stunning piece of pure cinema by a master filmmaker. |
| Ozus' World Movie ReviewsDennis SchwartzIt's a beautifully photographed but painful film to watch. |
| Cinemaphile.orgDavid KeyesSome have called it the most painful movie he ever made, and it is easy to see why: the three sisters at the center have lost the wisdom of compassion and replaced it with unending pathos. |
| Spirituality and PracticeFrederic and Mary Ann BrussatA Swedish film by Ingmar Bergman where two sisters have returned to the family mansion to be present at their sister's death. |
| Chicago ReaderDon DrukerThe much-vaunted color symbolism is so obvious as to be almost charming in its simplicity, and the gothic ambience never really resonates. |