
Zach is guy for whom the party never ends. But when he meets the girl he nicknames "Crazy Eyes," the inability to have her, combined with family matters, are signs that his idle life might be due for a change.... (Full plot summary below)
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Zach is guy for whom the party never ends. But when he meets the girl he nicknames "Crazy Eyes," the inability to have her, combined with family matters, are signs that his idle life might be due for a change.
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| ColeSmithey.comCole Smithey[VIDEO ESSAY] Matching the cold, callused, cynicism of Bret Easton Ellis's LA Gen-X "Less Than Zero," "Crazy Eyes" is too much in love with its spoiled brat protagonist. It is still a guilty pleasure in the theater of cruelty. |
| VarietyPeter DebrugeThese two non-lovers have real chemistry, and it's hard not to be intoxicated by the strange cocktail of watching them together, even as the story appears to be going nowhere. |
| Time OutMatt SingerThose willing to indulge regardless will find a surprisingly satisfying character study, woozily shot and elliptically cut to mimic booze-filled blackouts. |
| Film Journal InternationalShirley SealyThe only audience likely to respond favorably to this vanity production about the slow, painful self-discovery of a rich, young Hollywood filmmaker would be other rich, young and screwed-up Hollywood filmmakers. But even they might be put off. |
| East Bay ExpressKelly VanceA rare example of the "decadent LA" movie, once thought extinct. |
| myfilmblogKam WilliamsHedonistic playboy tries Platonic relationship in offbeat romantic romp. |
| San Francisco ChronicleMick LaSalleThe resulting film has the integrity and the ugliness of the truth. It's not true because it's ugly; no, it's ugly because it's true. |
| Hollywood & FineMarshall FineA hard sell unless you've got an appetite for self-destruction. Haas makes Crazy Eyes surprisingly digestible. |
| MovielineAlison WillmoreCrazy Eyes is the third directorial effort from Adam Sherman, and is, like his 2010 "Happiness Runs," based on his own personal experiences, suggesting he either has a staggering sense of self-laceration or a just as noteworthy lack of awareness about audience empathy. |
| New York PostSara StewartUnpleasant as it is, you can't exactly call Sherman's perspective misogynistic, if only because the protagonist hates himself every bit as much. |