Come Early Morning
Come Early Morning

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- 62/100 based on 2,751 votes

The sins of the fathers. In a town near Little Rock, Lucy Fowler works hard for a construction firm; on weekends she drinks, goes home with someone, and come early morning, wakes and leaves as fast as she can. She cares a lot about her father, newly back in town, a painfully shy man who has nothing to say to her. She does go to a Holy Roller church with him about the same time that she starts, fitfully, a relationship with Cal Percell, new in town and a good guy. She kisses h... (Full plot summary below)

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Full Plot Details

The sins of the fathers. In a town near Little Rock, Lucy Fowler works hard for a construction firm; on weekends she drinks, goes home with someone, and come early morning, wakes and leaves as fast as she can. She cares a lot about her father, newly back in town, a painfully shy man who has nothing to say to her. She does go to a Holy Roller church with him about the same time that she starts, fitfully, a relationship with Cal Percell, new in town and a good guy. She kisses him sober, but still has demons to confront. What's the source of her careless ways; can she turn coal into a diamond?

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Movie Reviews

Wall Street Journal - 9/10 by Joe MorgensternDespite her (Judd's) efforts and those of a generally talented cast, picture just pokes along and offers nothing out of the ordinary in terms of drama, characterization or insight. Judd's presence notwithstanding, this one would be more at home on small than on big screens.
Rochester Democrat and Chronicle - 9/10 by Jack GarnerThe writing and directing by Joey Lauren Adams express an admirable naturalness and eschews rose-tinted solutions.
Compuserve - 9/10 by Harvey S. KartenAshley Judd's strong performance redeems an unoriginal movie.
Entertainment Weekly - 9/10 by Owen GleibermanThe baby-voiced costar of "Chasing Amy" proves an effortless filmmaker, turning Lucy’s journey into the awakening of a soul.
Christian Science Monitor - 8/10 by Peter RainerAdams has a good camera eye and a fine feeling for the regional mores of the South, where she's from. Judd, who for a change isn't being terrorized in a thriller, is more nuanced and intense than she's ever been.
Chicago Reader - 8/10 by Jonathan RosenbaumThe plot points verge on the familiar and obvious, but Adams's work with the actors (especially Judd and among the others Jeffrey Donovan, Diane Ladd, Tim Blake Nelson, and Scott Wilson) is so resourceful and focused that she makes them shine.
TV Guide Magazine - 8/10 by Maitland McDonaghNothing much happens on the surface, but worlds of hope, hurt and determination lie right behind the characters' eyes, waiting to be discovered.
New York Post - 8/10 by Lou LumenickThe kind of small gem that's becoming increasingly rare in American films.
New York Daily News - 8/10 by Elizabeth WeitzmanBoth Adams and Judd have been let down by Hollywood. Here they have the freedom to express their uniquely Southern takes on music, faith, family and femininity. This intensely personal film may not bring either of them widespread acclaim, but it's a small triumph nonetheless.
Las Vegas Weekly - 8/10 by Josh BellThe best thing about Adams' film is its unhurried, casual naturalism.

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Come Early Morning