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Leave your thoughts about Cobweb.
| Austin ChronicleRichard WhittakerCobweb's greatest achievement is in ambiguity, in leading the story to its inevitable ending without ever sacrificing that unnerving quality. |
| San Francisco ChronicleBob StraussAmid all the mayhem, a fairly lucid portrait of disturbed child psychology emerges. Although derivative, Chris Thomas Devlin’s script has enough sick, witty ideas to make the fearsome goings-on seem fresh and immediate. At the very least, after watching Cobweb, you’ll never look at a jack-o’-lantern the same way again. |
| The PlaylistCharles BramescoCobweb might just fill you with the sadistic glee that you can only get from horror films that push the boundaries of the genre. It’s not perfect. Hell, it might not even be “good.” But Cobweb is an absolute delight and a blast to watch. |
| ColliderMarco Vito OddoThere’s no sugarcoating Cobweb’s flaws, from pacing to convoluted editing. Yet, the movie does have the potential to become a crowd-pleaser, as it does deliver the scares. It might not be a particularly memorable horror film, but it’s still entertaining, and sometimes that’s all the reason we need to go to theaters. |
| EmpireBen TravisSpooky, silly, and sub-90 minutes, Cobweb uses familiar elements to create an inviting, entertaining atmosphere — and when the horrors finally emerge in the final reel, it gives good splatter to boot. |
| IGNMatt DonatoCobweb feels like an incomplete collection of horror ideas that aren't explored to their full potential, but it ultimately succeeds thanks to deranged performances by Lizzy Caplan and Antony Starr. |
| TheWrapKristen LopezWhat keeps Cobweb moving is the duo that is Lizzy Caplan and Antony Starr and, if anything, it’s frustrating that the movie doesn’t utilize them more. |
| VarietyDennis HarveyDirector Samuel Bodin’s first theatrical feature is atmospheric, and departs from stock slasher conventions just enough to make for an entertaining if unexceptional scarefest. |
| Movie NationRoger MooreCobweb is a horror genre piece as simple and to the point as its title. |
| Slant MagazineGreg NussenAs tantalizing as the film’s ambiguity can be in certain moments, there comes a point where it starts to feel at once half-baked and a transparent means of delaying the inevitable. |
