
In a secluded house by the sea with the curtains shut, a screenwriter hides from the world with only his dog as company. The tranquility is abruptly broken one night by the arrival of a young woman fleeing from the authorities. Refusing to leave, she takes refuge in the house. But come dawn, another unexpected presence will change everything.... (Full plot summary below)
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In a secluded house by the sea with the curtains shut, a screenwriter hides from the world with only his dog as company. The tranquility is abruptly broken one night by the arrival of a young woman fleeing from the authorities. Refusing to leave, she takes refuge in the house. But come dawn, another unexpected presence will change everything.
Leave your thoughts about Closed Curtain.
| Time OutKeith UhlichThe journey is often challenging, but the rewards—heady, emotional, provocative and invigorating—are endless. |
| Film Comment MagazineJonathan RomneyThe value of Closed Curtain is the very ineloquence of its cri de coeur. Where its predecessor defiantly showed that Panahi could take it, here the stresses show: they're tearing him apart, and it shouldn't happen to any artist. |
| Village VoiceMichael AtkinsonPossibly the Iranian new wave's last meta-man, Panahi is in an ideal position to make the unique methodology of his filmmaking merge with its substance. But he's always been fascinated by how a film's bell-jar bubble can be punctured, leaving a viscous interface between real and cinematic. |
| Slant MagazineJesse CataldoThe next step in Jafar Panahi's personal cinema of captivity, a fully fictionalized, wildly bewildering work which imagines a man at war with his own creative impulse. |
| Boston GlobePeter KeoughThe opening and closing scenes of this film evoke those in “Crimson Gold.” They are long shots of the outside as seen through a security gate. In “Crimson Gold,” the view is of a chaotic street in Tehran. Here, it is the empty sea. This difference demonstrates what Panahi has been deprived of, and what the world has lost because of it. |
| Los Angeles TimesInkoo KangClosed Curtain is richly allegorical, but the film succeeds even more as an exiled artist's reassurance that the law can't stamp out art. |
| Film-Forward.comNora Lee MandelRepression in Iran emphatically intrudes on imagination, as real life of . . . Panahi. . .The ocean keeps serving as constant ironic contrast to a restricted space and life. |
| New York TimesA.O. ScottOn one level, the film (or nonfilm; it was shot on digital video and partly with smartphone cameras) is a mischievous, Pirandellian entertainment. It is also an allegory, dark but not despairing, of the creative spirit under political pressure, and of the ways the imagination can be both a refuge and a place of confinement. |
| RogerEbert.comGodfrey CheshireIf the dominant mood of "This Is Not a Film" was defiant, the main feeling here is melancholic. In implicitly confessing to suicidal impulses (as his mentor Abbas Kiarostami did in "Taste of Cherry"), Panahi shows how low his confinement has brought him. |
| Gay City NewsSteve EricksonThe ending of "Closed Curtain" has a disappointing lack of focus. Still, the initial mood of the film is indelible. |