
The Argentine, begins as Che and a band of Cuban exiles (led by Fidel Castro) reach the Cuban shore from Mexico in 1956. Within two years, they mobilized popular support and an army and toppled the U.S.-friendly regime of dictator Fulgencio Batista.... (Full plot summary below)
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The Argentine, begins as Che and a band of Cuban exiles (led by Fidel Castro) reach the Cuban shore from Mexico in 1956. Within two years, they mobilized popular support and an army and toppled the U.S.-friendly regime of dictator Fulgencio Batista.
Leave your thoughts about Che: Part One.
| Cinema em CenaPablo VillaçaSem cometer o erro de usar a guerrilha nas montanhas como desculpa para conferir um caráter de "longa de ação" ao projeto, O Argentino é basicamente um filme de idéias políticas. |
| Time Out SydneyGeoff AndrewIt's not a Hollywood-style movie - it demands patience and proper attention - but it's a great movie, and rewards magnificently. |
| Eye for FilmAmber WilkinsonAll the excitement of a wet weekend in Bognor. |
| Q Network Film DeskJames Kendricksimultaneously a Hollywood throwback with its lengthy, four-and-a-half-hour roadshow grandiosity and a challenging experiment in genre reformulation |
| Mountain Xpress (Asheville, NC)Ken HankeDel Toro and Soderbergh portray the man as something more than just an animated version of the image that festoons the T-shirts of thousands of armchair revolutionaries. |
| culturevulture.netBeverly Berning... a revelation, an enlightening analysis of a man whose devotion to a political movement defined his life. |
| At the MoviesBen MankiewiczIt's hard to know which scene, where the men are tired, hungry and ill-equipped, is more or less important than the others. |
| Chicago Sun-TimesRoger EbertBenicio Del Toro, one of the film's producers, gives a heroic performance, not least because it's self-effacing. |
| The A.V. ClubKeith PhippsIn both halves, Soderbergh emphasizes observation over ideology with an eye toward the mundane details of life on the front lines of a revolution. |
| Reeling ReviewsRobin CliffordSoderbergh uses the script, by Peter Buchman...and his own artistic camerawork to give the film an appropriate documentary feel, much like Traffic. |