New York City. Forty year old Lee Simon, a critically panned two time novelist who works as a travel writer (a job he hates) to earn a steady living, tells his shocked wife of sixteen years, English teacher Robin Simon, that he wants a divorce. Although he had not been happy with Robin for some time, she who he feels is a bundle of Catholic repressions and neuroses especially when it comes to sex, Lee finally came to the conclusion about wanting a divorce upon attending his h... (Full plot summary below)
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New York City. Forty year old Lee Simon, a critically panned two time novelist who works as a travel writer (a job he hates) to earn a steady living, tells his shocked wife of sixteen years, English teacher Robin Simon, that he wants a divorce. Although he had not been happy with Robin for some time, she who he feels is a bundle of Catholic repressions and neuroses especially when it comes to sex, Lee finally came to the conclusion about wanting a divorce upon attending his high school reunion and seeing a roomful of losers, he believing he turning into one of them if he didn't make a drastic change. He gets a job working as a journalist for an entertainment magazine, while he writes screenplays on the side, he believing the latter a good stepping stone to finishing his third novel if the screenplays works out. The journalist job includes conducting interviews with celebrities, not only to who he can pedal his completed screenplay, but also what he quickly learns to who he has easy access to an abundance of sex with the "beautiful people". Regardless, Lee enters into a relationship with Bonnie, a publishing house story editor who encourages him to complete that novel, which she truly believes will be better than the first two if only due to maturity. Meanwhile, Robin, who is not taking the divorce well, is convalescing at a Catholic retreat before she, with the support of her friends Jan and Cheryl, decides what next to do with her life, she believing that returning to teaching not the answer. During her search, Robin unexpectedly stumbles onto her own connection with celebrity when she meets television producer Tony Gardella, who hires her to be a production assistant with his company. Lee and Robin's resulting stories take them in two different directions, one toward and the other away from the true happiness that was absent from their marriage.
Leave your thoughts about Celebrity.
| Spirituality and PracticeFrederic and Mary Ann BrussatPinpoints the excessive role of celebrities in American culture. |
| eFilmCritic.comRob GonsalvesCelebrity is about the tiny planets revolving around Hollywood's many suns, trying to absorb some heat. It's a cold universe nonetheless. |
| L.A. WeeklyF. X. FeeneyCelebrity is one of Woody Allen’s finest. This is a minority opinion….But I prefer Allen when he works in a minor key – “Broadway Danny Rose,” “Radio Days” --precisely because he’s not trying to be profound, only true to firsthand observation. |
| TheFilmFile.comDustin PutmanA winning and often hilarious comedy that delves into the lives of the rich, the famous and the struggling. |
| Entertainment WeeklyLisa SchwarzbaumAllen's canniest hire of all is Leonardo DiCaprio, who plays a bratty, destructive young star, juicing the proceedings with a power surge that subsides as soon as he exits. |
| EmanuelLevy.ComEmanuel Levytechnically, the b/w film is impressive, but the tale is shallow and diffuse and has little to say about our media- saturated life and obsession with fame. |
| Dallas ObserverJimmy FowlerHere Branagh and his writer-director have managed something more haunting than town-square self-flagellation: they've created a man whose appetites will always be greater than his abilities. And for an artist like Woody Allen, who possesses plenty of both, there can be no scarier fate on the planet. |
| Arkansas Democrat-GazettePhilip MartinAllen is something of a heartless director with actors, to the extent that it is somewhat bewildering that so many actors profess to want to work with him. |
| Chicago Sun-TimesRoger EbertThe movie's shot in black and white; Allen is one of the rare and valuable directors who sometimes insists in working in the format that is the soul of cinema. |
| Washington PostMichael O'SullivanIt is this sense of real life blurring with make-believe that Allen's film is really playing with, like a kitten toying with a scared mouse. Back and forth he bats the subject, moving between reality, illusion and the imitation of reality with a deft touch that may bruise but never kills. |
