In 1979, intent on venturing into the vast and unexplored areas of the virgin Amazon rainforest, a small American film crew attempts to make a documentary about the region's indigenous cannibalistic tribes, only to disappear without a trace. As the noted anthropologist, Harold Monroe, and his team of seasoned guides embark on a rescue mission to locate the missing documentarians in the heart of the Green Inferno, fearful tribes, that no white has ever seen before, will soon s... (Full plot summary below)
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In 1979, intent on venturing into the vast and unexplored areas of the virgin Amazon rainforest, a small American film crew attempts to make a documentary about the region's indigenous cannibalistic tribes, only to disappear without a trace. As the noted anthropologist, Harold Monroe, and his team of seasoned guides embark on a rescue mission to locate the missing documentarians in the heart of the Green Inferno, fearful tribes, that no white has ever seen before, will soon start to take an interest in them. Inevitably, as the professor unearths more evidence about the fate of the film crew by sheer luck, a desperate battle to recover the raw footage that was paid in blood will commence--after all, the world must learn all about the savage and unspeakable atrocities captured on the riveting unedited footage. In the end, what has happened to the overambitious explorers, and the shocking final two reels?
Leave your thoughts about Cannibal Holocaust.
| Little White LiesAnton BitelCannibal Holocaust is certainly unpleasant, uncomfortable, even offensive - which is to say that it is uncompromisingly true to its genre - but that is not to undermine its fierce, probing intelligence. |
| Lessons of DarknessNick SchagerThe director’s grim commitment to shocking his audience is fanatical to the point of being enthralling, as he dramatizes one bit of extreme, rancid cruelty after another for little reason other than to turn viewers’ stomachs. It’s far from a noble goal, but there’s no denying its effectiveness. |
| Filmcritic.comChristopher NullThe effect is now familiar, but back then it was incredibly shocking, as most viewers believed every word of it. |
| Blu-ray.comBrian OrndorfRough, but it's an interesting type of sensationalism from a (thankfully) bygone production era. It's not a film to be enjoyed, but it certainly offers a singular genre bite that's impressively gonzo. |
| CinePassionFernando F. CroceRuggero Deodato's purposefully unwatchable opus questions the film image's validity while debasing it |
| Antagony & EcstasyTim BraytonBasically perfect: it achieves its goals in virtually every respect. Deodato made a movie whose purpose is to make me feel awful, and I do. |
| Film4Film4 StaffWhether or not it was his intention, it is also possible to discern a message amid the cruelty: read this as a savage indictment of the power of the media in general, and exploitative documentary filmmaking in particular. |
| Cinema CrazedFelix Vasquez Jr.An enormous master work from Ruggero Deodato whose own film has pretty much guaranteed to outlive its creator. |
| ReelViewsJames BerardinelliThis is a fairly standard-order bad taste movie, replete with all the characteristics of the genre: grotesque, over-the-top violence; copious blood and viscera; gratuitous, uncensored nudity; and borderline-pornographic sex. |
| Slant MagazineEric HendersonEven the most desensitized, ghoulishly amoral gleaners of deviant cinema can’t just stare down the nastiness on display in Cannibal Holocaust and just shrug it off. |
