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| Film ThreatMichael Talbot-HaynesWith Candy Land, Swab has delivered a historic flashpoint in the darker side of the film universe. It is a supernova of seediness. The flick is the true bastion of this under-utilized subgenre. |
| IndieWireChristian ZilkoWatching Candy Land is a lot like eating beef jerky from a truck stop. In both cases, you might find yourself thinking, “if someone told me this was made in 1973, I’d believe them.” Yet both experiences can end up being enjoyable despite leaving you with an overwhelming desire to shower. |
| Los Angeles TimesNoel MurrayIt’s possible Swab made this film just to tell a story about the more compassionate side of prostitution. If so, the movie’s guilty-pleasure thrills are just a bonus. |
| The New York TimesBeatrice LoayzaWritten and directed by John Swab, Candy Land is standard grindhouse fare — more serious and less conceptually adventurous than its recent counterparts, Ti West’s “X” and “Pearl” — though not without its fair share of pleasurable nastiness. |
| User ReviewliamexeThere are elements to admire about the plot, despite the fact that it is an open road with a certain ending. The mystery around Why and Where was maybe what was most absent in this situation. But, the filmmaker made the decision to put everything on the table right early, which eliminated the necessary suspense. This film, which has almost every conceivable stereotype, is not for everyone, so be selective about who you see it with. There is no doubt that this is not your standard everyday movie, and anyone looking for something fresh and unusual should see it. |
