
Winter, 1915. Confined by her family to an asylum in the South of France - where she will never sculpt again - the chronicle of Camille Claudel's reclusive life, as she waits for a visit from her brother, Paul Claudel.... (Full plot summary below)
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Winter, 1915. Confined by her family to an asylum in the South of France - where she will never sculpt again - the chronicle of Camille Claudel's reclusive life, as she waits for a visit from her brother, Paul Claudel.
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| RogerEbert.comSheila O'MalleyBy the end, you are left with a feeling of helplessness, rage, and a kind of abstracted bafflement. How did this happen? |
| Financial TimesNigel AndrewsAs non-plot becomes plot, so "shapelessness" finds its own shape. The film gathers mass, power and beauty as if unguided. |
| NYC Movie GuruAvi OfferMesmerizing and heartbreaking with a brave, raw and convincingly moving performance by Juliette Binoche. |
| Film-Forward.comNora Lee MandelStrong feminist interpretation to tragic thwarted creativity. . .Binoche fiercely embodies extraordinary woman working to act normal surrounded by abnormal and [no] freedom. |
| Reeling ReviewsRobin CliffordAlthough nothing really happens throughout the 93-minute run time, the emotional conflicts that envelop the character of Camille kept me wondering, too - why is she there? |
| IndiewireEric KohnIn a incredibly contained performance that ranks among the best of her career, Juliette Binoche portrays a woman trapped by mental and physical constraints alike. |
| Sight and SoundGraham FullerThis later history of Claudel, which stars Juliette Binoche, is spare, harsh and minimalistic, as one would expect from Bruno Dumont. |
| Independent (UK)Laurence PhelanThis is a stark film, about the human condition at its most base and degraded. |
| Observer (UK)Mark KermodeA powerhouse performance by Juliette Binoche provides the beating, tortured heart of this finely wrought and very affecting film about the later life of sculptor Camille Claudel. |
| Cinema ScopeMichael SicinskiCamille Claudel 1915 is the first Dumont film I would truly consider boring. Everything it works so hard to convince us of, we have heard so many times before. |