Call Girl
Call Girl

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- 65/100 based on 4,865 votes

Call Girl is set in the late 1970s - a time time of women's liberation, sexual revolution, Swedish neutrality, nuclear power and social security. The film takes us on a trip from the very bottom of society, along dark back streets, through glitz and glamour, to the corridors of power which are a labyrinth of secrets. The story is inspired by a Swedish political scandal known as Bordellhärvan which linked underage prostitution with powerful customers believed to come from the... (Full plot summary below)

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Full Plot Details

Call Girl is set in the late 1970s - a time time of women's liberation, sexual revolution, Swedish neutrality, nuclear power and social security. The film takes us on a trip from the very bottom of society, along dark back streets, through glitz and glamour, to the corridors of power which are a labyrinth of secrets. The story is inspired by a Swedish political scandal known as Bordellhärvan which linked underage prostitution with powerful customers believed to come from the highest levels of society.

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Movie Reviews

Shadows on the Wall - 8/10 by Rich ClineA confident drama about a real-life 1976 political scandal, this Swedish film is expertly tells the story from three fascinating angles.
London Evening Standard - 8/10 by Guy LodgeEven the good guys have a vampiric air about them.
ViewLondon - 8/10 by Matthew TurnerStylishly directed and beautifully shot, this is a powerful, engaging and relevant Swedish drama with a strong script and a pair of terrific performances from Pernilla August and newcomer Sofia Karemyr.
Birmingham Mail - 8/10 by Graham YoungGrey hair, hedonism and exploitation are colliding at every turn.
Daily Mail (UK) - 8/10 by Christopher TookeyIt's like Britain's Profumo affair but much sleazier and with more to say about the corruption of ideals.
Scotsman - 8/10 by Siobhan SynnotA promising feature debut, based on a real scandal linking a powerful Scandinavian elite to a prostitution ring.
HeyUGuys - 7/10 by Stefan PapeThough an ultimately shallow piece of filmmaking - and one that is difficult to invest in emotionally - it remains a captivating and enticing piece of cinema.
Little White Lies - 6/10 by Tabi Jackson GeeA convoluted 134 minutes but impressive for a debut feature. Watch this space.
Guardian - 6/10 by Peter BradshawIf this is based on fact then why not make a documentary, naming names? Well, it is food for thought.
Observer (UK) - 6/10 by Philip FrenchIt's overlong and spends too much time on the careers of troubled teenagers recruited from state juvenile institutions before getting to the political nitty-gritty.

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Call Girl