Bullitt
Bullitt

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- 74/100 based on 73,183 votes

San Francisco Police Lieutenant Bullitt's tasked by ambitious Walter Chalmers, to guard Johnny Ross, a Chicago mobster who's about to turn evidence against the organisation. Chalmers wants Ross' safety at all cost, or else Bullitt will pay the consequences.... (Full plot summary below)

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Full Plot Details

San Francisco Police Lieutenant Bullitt's tasked by ambitious Walter Chalmers, to guard Johnny Ross, a Chicago mobster who's about to turn evidence against the organisation. Chalmers wants Ross' safety at all cost, or else Bullitt will pay the consequences.

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Movie Reviews

Combustible Celluloid - 10/10 by Jeffrey M. AndersonBullitt takes a rather simple nugget of a story and turns it into a crime classic through the expert use of location footage, editing, music, mood and timing, not to mention the laconic, stoic performance of ultra-cool star Steve McQueen.
The Guardian - 10/10 by John PattersonBlessed with the fresh eyes of newly landed Englishman Yates (and genius cameraman William Fraker), the movie makes San Francisco fresh and alive, but also completely remakes and modernises the bleak, sleazy gangster demimonde in which Bullitt does his hunting.
Austin Chronicle - 10/10 by Marjorie BaumgartenOne of the cinema’s very best car-chase sequences – set amid the hilly, windy San Francisco streets – caps this quintessential Steve McQueen policier.
Chicago Sun-Times - 10/10 by Roger EbertMcQueen is great in Bullitt, and the movie is great, because director Peter Yates understands the McQueen image and works within it. He winds up with about the best action movie of recent years.
The New York Times - 9/10 by Renata AdlerA terrific movie, just right for Steve McQueen—fast, well acted, written the way people talk.
The Seattle Times - 9/10 by Mark RahnerThe plot, concerning the battle of wits between an honest cop and an ambitious politician for possession of the key witness in a Mafia exposé, is serviceable but nothing special. But the action sequences are brilliant, done without trickery in real locations (including a great car chase which spawned a thousand imitations) to lend an extraordinary sense of immediacy to the shenanigans and gunfights.
San Francisco Chronicle - 8/10 by John McMurtrieNot to go all Pauline Kael on you, but Bullitt -- the 1968 crime drama starring a Ford Mustang GT390 and some guy named Steve McQueen -- is a fairly tedious bit of Aquarian cinema: the chicka-chicka-waah soundtrack, the inscrutable plot, the anaerobic dullness of every second that McQueen is off-camera. Bullitt scrabbles to its minor footnote status in film history on two counts. The first: It marks the only time any man ever looked cool in a cardigan -- McQueen should have gotten the academy's knitwear award. The second is the movie's remarkable seven-minute chase scene, with real cars (the Mustang and a black Dodge Charger), real drivers and real stunts, no special effects.
Hollywood Reporter - 8/10 by John MahoneyIt is simply one of the most exciting and intelligent action films in years, probably the best good-cop film we can expect to encounter.
The Observer (UK) - 8/10 by Philip FrenchCar chases have come a long way since Steve McQueen's cop, in a spunky little Mustang coupe, pursued a couple of bad guys, in a hulking Dodge Charger, up and down the streets of San Francisco. This seminal chase put a premium on finesse.
Matt's Movie Reviews - 8/10 by Matthew PejkovicA low key, tough guy cop thriller, Bullitt does not go over the top with its action sequences and stays away from the usual cop movie clichés, lifting the bar in regards to how cop movies should be made.

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