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An all guts, no glory San Francisco cop becomes determined to find the underworld kingpin that killed the witness in his protection.... (Full plot summary below)

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Full Plot Details

An all guts, no glory San Francisco cop becomes determined to find the underworld kingpin that killed the witness in his protection.

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Movie Reviews

Chicago Sun-Times - 10/10 by Roger Ebert McQueen is great in Bullitt, and the movie is great, because director Peter Yates understands the McQueen image and works within it. He winds up with about the best action movie of recent years.
Combustible Celluloid - 10/10 by Jeffrey M. Anderson Bullitt takes a rather simple nugget of a story and turns it into a crime classic through the expert use of location footage, editing, music, mood and timing, not to mention the laconic, stoic performance of ultra-cool star Steve McQueen.
Austin Chronicle - 10/10 by Marjorie Baumgarten One of the cinema’s very best car-chase sequences – set amid the hilly, windy San Francisco streets – caps this quintessential Steve McQueen policier.
The Guardian - 10/10 by John Patterson Blessed with the fresh eyes of newly landed Englishman Yates (and genius cameraman William Fraker), the movie makes San Francisco fresh and alive, but also completely remakes and modernises the bleak, sleazy gangster demimonde in which Bullitt does his hunting.
The New York Times - 9/10 by Renata Adler A terrific movie, just right for Steve McQueen—fast, well acted, written the way people talk.
Chicago Reader - 9/10 by Dave Kehr There isn't much here, and what there is is awfully easy.
Hollywood Reporter - 8/10 by Douglas Pratt Even though the story almost makes no sense and the Oscar-winning editing has several illogical cuts, Bullitt is an exquisitely satisfying motion picture, particularly if there is still an adolescent boy lodged somewhere in your psyche.
Capital Times (Madison, WI) - 8/10 by Rob Thomas It's more than just that great car chase. The whole film is gritty, down-to-earth and enjoyable.
Cinema em Cena - 8/10 by Pablo Villaça Menos focado na trama e mais nos procedimentos de seu protagonista, Bullitt busca o realismo constantemente, criando um personagem não apenas crível, mas complexo.
Matt's Movie Reviews - 8/10 by Matthew Pejkovic A low key, tough guy cop thriller, Bullitt does not go over the top with its action sequences and stays away from the usual cop movie clichés, lifting the bar in regards to how cop movies should be made.
Los Angeles Times - 7/10 by Dan Neil Not to go all Pauline Kael on you, but Bullitt -- the 1968 crime drama starring a Ford Mustang GT390 and some guy named Steve McQueen -- is a fairly tedious bit of Aquarian cinema: the chicka-chicka-waah soundtrack, the inscrutable plot, the anaerobic dullness of every second that McQueen is off-camera. Bullitt scrabbles to its minor footnote status in film history on two counts. The first: It marks the only time any man ever looked cool in a cardigan -- McQueen should have gotten the academy's knitwear award. The second is the movie's remarkable seven-minute chase scene, with real cars (the Mustang and a black Dodge Charger), real drivers and real stunts, no special effects.
The A.V. Club - 7/10 by Noel Murray Peter Yates-directed cop thriller that relies on McQueen's chiseled features to hold an audience's attention through what's essentially a 45-minute TV show stretched to two hours. Aside from the famous car chase through the streets of San Francisco, Bullitt is primarily watchable for McQueen's performance as a cop breaking the rules to break a case, as well as all the '68 cinema signifiers: lens flares, soft-focus foregrounds, a jazzy Lalo Schifrin score, and vivid location shooting.

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