
The beautiful and erotic Bramadero finds Hassen and Jonás on the outskirts of Mexico City. Away from it all, they've found a spot where they can seduce one another and merge into one; where sex becomes desire, desire becomes love, and only death will separate them.... (Full plot summary below)
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The beautiful and erotic Bramadero finds Hassen and Jonás on the outskirts of Mexico City. Away from it all, they've found a spot where they can seduce one another and merge into one; where sex becomes desire, desire becomes love, and only death will separate them.
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| User ReviewQarlos JOnce again, director Julian Herandez explores forbidden and passionate love between two young men in the anonymity of Mexico City in a short film. The story has no dialogues and, as usual, the director tries to portray how intimate, beautiful and meaningful homosexual love can be. However, there seems to be some sort of dejavu here as we've already seen this in previous in much longer flicks by Hernandez. There are more explicit scenes and it doesn't actually transmit anything new to the career of this director. The topic, man-to-man love, can be exploited in so many ways, but the director seems to cling to his muted formula. |
| User ReviewEzra MMe siento ofendido. Cuando en Mà (C)xico se tocan temas como la homosexualidad en el cine la gente pega el grito en el cielo y cuando autorizan cortos como esta el resultado es estúpido, absurdo y pornográfico. Bien podÃa haber funcionado ya que el planteamiento central es muy bueno pero al mismo tiempo esa idea la hemos visto un sin fin de veces en este gà (C)nero. Los tÃpicos hombres que se aman y su amor por ser prohibido hace que se aparten del pueblo para refugiarse en los brazos de su amado y al final morir como Romeo y Julieto. No entiendo como autorizaron este guion, mas que un buen corto el resultado es una pelÃcula PORNOGRÃ?FICA aquà y en China. No hay pretexto de decir que es arte o que es otra forma de ver el cine cuando para mi es una pelÃcula porno disfrazada de "artÃstica". Los movimientos de la cámara son pretenciosos salvo la última escena pero de ahà en fuera no tiene nada nada rescatable en los 22 minutos de duración. No hay base solida para defender esta abominación. |