
Documentary photographer Zana Briski journeyed into Calcutta's underworld to photograph the city's prostitutes. In return, she offered to teach the prostitutes' children the basics of photography so that the kids could document their own lives on the streets of one of the world's poorest cities. The resulting photographs, often astonishing, were exhibited around the world; many of them are seen in this film, which won the Academy Award for Best Documentary Feature in 2005.... (Full plot summary below)
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Documentary photographer Zana Briski journeyed into Calcutta's underworld to photograph the city's prostitutes. In return, she offered to teach the prostitutes' children the basics of photography so that the kids could document their own lives on the streets of one of the world's poorest cities. The resulting photographs, often astonishing, were exhibited around the world; many of them are seen in this film, which won the Academy Award for Best Documentary Feature in 2005.
Leave your thoughts about Born into Brothels: Calcutta's Red Light Kids.
| Newark Star-LedgerStephen WhittySome of the children's photographs are lovely, and the film has a thick, humid vibrancy to its colors. |
| Seattle TimesTom KeoghThis low-tech, buoyant, yet often heartbreaking film is miracle enough on its own terms, full of surprises and tragic reminders that many kids are robbed of their dreams and promise by exploitative forces. |
| Minneapolis Star TribuneColin CovertIt's one of the most inspiring finales I've seen in a long while. |
| Princeton Town TopicsKam WilliamsIn the end, you can't help but wonder exactly what it was you've just seen. A hard-hitting exposé? Voyeuristic slumming? A true tale of triumph, against all odds? A self-aggrandizing, vanity biopic? Some new type of reality film?Perhaps all of the above. |
| Metro Weekly (Washington, DC)Randy ShulmanDespite the bleak subject matter, Born into Brothels [contains] moments of pure elation. |
| Boston GlobeTy BurrThis is the kind of film that reminds you of what movies, at their best, are capable of. |
| San Francisco ChronicleCarla MeyerBefore our eyes, Briski confronts and answers questions of exploitation that can shadow profilers of the downtrodden. |
| Baltimore SunMichael SragowThe title captures this film's harrowing qualities, but not its energy, its limpid beauty or its spiritual grace. |
| Arizona RepublicRichard NilsenOne feels manipulated rather than enlightened. |
| Los Angeles TimesKenneth TuranSeven years in the making, it demands to be experienced not just because of the good it does but because of how unexpectedly good, even buoyant, it makes you feel. |