
In 1983, the aviator Hank kills three soldiers in a military airbase while wearing a voodoo talisman that he found in a mission in Granada. He hides the object in an electrical box and twenty-two years later, he is released from the asylum where he had been institutionalized, after being considered mentally sane again. Meanwhile, the former base is transformed in an aviation museum owned by the idealistic Harry, who is facing financial difficulties to keep the establishment w... (Full plot summary below)
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In 1983, the aviator Hank kills three soldiers in a military airbase while wearing a voodoo talisman that he found in a mission in Granada. He hides the object in an electrical box and twenty-two years later, he is released from the asylum where he had been institutionalized, after being considered mentally sane again. Meanwhile, the former base is transformed in an aviation museum owned by the idealistic Harry, who is facing financial difficulties to keep the establishment working and problems with his partner and brother. When one of the workers finds the weird hidden artifact, she gives it to Harry. In the end of the working day, the group of co-workers decides to meet each other after 10:00 PM for a séance in the place considered haunted, followed by sex, gambling and beer. When two couples vanish, the others decide to seek them and find them killed. Soon, they meet Hank that tells the survivors that the talisman unleashes a fiend that possesses the person that is wearing the necklace, forcing the owner to kill people with sadism. The group joins forces trying to find a way out of the museum while Hank chases the killer.
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| User ReviewDavid TWhile this movie isn't a total waste of time, I did find it to be a bit blatant in it's overall misogyny, which brings my rating down by a star. A not-so-terrible script and adequate acting are wasted by slow pacing, weak special effects and completely needless overt sexuality. We get it, filmmakers.. you had no real faith in the substance of your film, so you felt you had to tack on endless shots of female flesh in order to give us viewers what you think we look for first and foremost in a horror film. Try again. And when you show every female character get graphically butchered for prolonged periods of time, yet you shy away from seeing any of the blood and gore in the males' quick and painless deaths, one has to question your motives as a human being in general, and wonder what kind of deep seated woman-hating issues you have bottled up inside of you like a shaken Dr. Pepper. |