
Sudden fame and a self-destructive lifestyle were taking a toll on Jack Kerouac's mind and body following the unparalleled success of the groundbreaking novel, On The Road. Once the handsome literary maverick and hero of the Beat Generation, Kerouac now sees only a vestige of his former self, ravaged by alcohol and drugs, aged beyond his years and tormented by self-doubt. Questioning his talent, his faith, and his mortality, Kerouac leaves New York for California, on a quest ... (Full plot summary below)
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Sudden fame and a self-destructive lifestyle were taking a toll on Jack Kerouac's mind and body following the unparalleled success of the groundbreaking novel, On The Road. Once the handsome literary maverick and hero of the Beat Generation, Kerouac now sees only a vestige of his former self, ravaged by alcohol and drugs, aged beyond his years and tormented by self-doubt. Questioning his talent, his faith, and his mortality, Kerouac leaves New York for California, on a quest for redemption at an isolated, fog-banked cabin in the primitive landscape of the Big Sur woods. What ensues in those fateful 3 weeks of August, 1960, is both terrifying and revelatory. While Kerouac is able to find beauty and elation in his surroundings, the dichotomy of his psyche renders him unable to face his demons alone. He sets off on a visceral collision course of paranoia, sex, delirium tremens, misery and madness. His desperation culminates in an intense, hallucinatory breakdown, but the duality of his nature (again) comes into play and he emerges from his dark place - however fleeting - with a modicum of peace and optimism.
Leave your thoughts about Big Sur.
| Arkansas Democrat-GazettePhilip Martin...works as a kind of tone poem, drenching the senses in beautifully sad imagery, as Kerouac's poetry and prose sound over images of the sparkling Pacific. |
| The Film StageJared MobarakAn ingenious way to bring the story to life, such an experimental visual form's potential to captivate might leave something to be desired. |
| Madison MovieRob ThomasIt feels like we get closer to the real Kerouac here, the man behind the book, unable to escape its shadow. |
| The New York TimesStephen HoldenFilmed without a trace of sentimentality, Big Sur is an achingly sad last hurrah. |
| The PlaylistKevin JagernauthBig Sur rises and fades, shifts and moves, through movements and melodies, singing a beautifully sad song for an era and a man who lost his way. |
| VarietyGuy LodgeMichael Polish’s Big Sur offers an elegantly muted take on the midlife ennui of Kerouac’s autobiographical 1962 novel. |
| The Hollywood ReporterJustin LoweFilming a truly immersive and dimensional adaptation of a Kerouac novel remains an ongoing challenge for any filmmaker, but Polish’s film comes closer than most, while adding another layer of complexity to the author’s venerable reputation. |
| Los Angeles TimesRobert AbeleAlthough no less fawning and indulgent about its self-centered subject, played by Jean-Marc Barr (who also narrates, run-on style), the muted emptiness of the ill-fated sojourn wills its way toward something like existential meaningfulness. |
| Shockya.comBrent SimonClearly edited to evoke a feeling of slipstream, stream-of-consciousness connection, but little more than a rolling delivery service of smugness, self-destruction, hedonism and pretentiousness. |
| Washington PostJohn DeForeA beautiful and sometimes affecting film that (appropriately, some would say) has as much difficulty connecting with the world before it as its protagonist does. |