Beyond Therapy
Beyond Therapy

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- 47/100 based on 995 votes

This is an insane and fast-paced romantic comedy about a bizarre dinner date among Bruce (Goldblum) and Prudence (Hagerty), and their lunatic therapists, and Bruce's jealous, gun-wielding ...... (Full plot summary below)

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This is an insane and fast-paced romantic comedy about a bizarre dinner date among Bruce (Goldblum) and Prudence (Hagerty), and their lunatic therapists, and Bruce's jealous, gun-wielding ...

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Movie Reviews

Los Angeles Times - 10/10 by Michael WilmingtonIt closes the trilogy like a lightning blast followed by the ominous, resonant drone of thunder. Great action sequences crop up frequently today, but great action movies are always few and far between. Beyond Thunderdome is one, every bit as much as its two predecessors.
The Globe and Mail (Toronto) - 10/10 by Jay ScottThis middle portion of the picture becomes dangerously preachy, but just before we and Max are bored, director Miller returns Max to his roots, a screaming chase sequence through a desertlike Australian landscape.
The New York Times - 8/10 by Janet MaslinThis film has showier stunts than its predecessors, and a better sense of humor. It also has Tina Turner, in chain-mail stockings.
ReelViews - 8/10 by James BerardinelliThe battle between Max and The Blaster in Beyond Thunderdome may be the best the series has to offer.
Time - 7/10 by Richard SchickelIts high-bounding excesses of action simultaneously satisfy and satirize the passion for heedless viciousness that so profoundly moves the action film's prime audience, urban adolescent males.
Orlando Sentinel - 6/10 by Jay BoyarMad Max Beyond Thunderdome isn't a bad movie. It has entertaining sections, decent performances and more than a few provocative images. But it also has a major shortcoming: It's too darned sane.
Washington Post - 6/10 by Rita KempleyThe Thunderdome sequence is an amazing display of imagination and technical skill, but the film falls apart with the climactic chase scene.
Christian Science Monitor - 6/10 by David SterrittThe directors, George Miller and George Ogilvie, borrow from every source they can find; movie buffs can pass the time spotting the Lynch shot, the Leone shot, the Jodorowski shot, and all kinds of others.
Combustible Celluloid - 5/10 by Jeffrey M. AndersonRobert Altman adapted Christopher Durang's play for this peculiar comedy that can't ever seem to find its rhythm.
Chicago Reader - 5/10 by Dave KehrThe punky energy of the earlier films has given way to a self-conscious striving for significance, obscuring Miller's considerable kinetic talents in favor of a lumpy didacticism.

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